Alice Childress
Born in 1916 and raised during the Harlem Renaissance under the watchful eye of her beloved maternal grandmother, Alice Childress grew up to become first an actress and then a playwright and novelist. A founding member of the American Negro Theatre, she wrote her first play, Florence, in 1949. The script was written in one night on a dare from close friend and actor Sidney Poitier, who had told Alice that he didn’t think a great play could be written overnight. She proved him wrong, and the play was produced off-Broadway in 1950. Childress became, in 1952, the first African American woman to see her play (Gold Through The Trees) professionally produced in New York.
In 1955, Childress’ play Trouble in Mind was a critical and popular success from the beginning of its run off-Broadway at the Greenwich Mews Theatre, and it immediately drew interest from producers for a Broadway transfer. In an ironic twist echoing the tribulations of the characters in the play itself, the producers wanted changes to the script to make it more palatable to a commercial
audience. Childress refused to compromise her artistic vision, and the play never opened on Broadway, ending her chances of being the first African American woman playwright to have a work on Broadway. In 2021, she made her long-awaited Broadway debut when Roundabout Theatre Company produced Trouble in Mind at the American Airlines Theatre, receiving four Tony Award nominations.
Childress is perhaps best known today for A Hero Ain’t Nothin’ But A Sandwich, her 1973 novel about a 13-year-old black boy addicted to heroin, which was subsequently made into a movie in 1978. Other plays written by Childress include Just A Little Simple (1950), Wedding Band: A Love/Hate Story In Black and White (1966) and Gullah (1984). Alice Childress died in New York in 1994. Throughout her career, she examined the true meaning of being black, and especially of being black and female. As Childress herself once said, “I concentrate on portraying have-nots in a have society.”