A Vampire Story

Two young women arrive in a nameless British small-town. Their names are not their own. They don't declare their ages. Their relationship with each other is not clear. Are they sisters, as their assumed identities declare? Or are they mother and daughter?

Advance Man: Part One of The Honeycomb Trilogy

Advance Manis the first part of Mac Rogers' science fiction epic The Honeycomb Trilogy,three stand-alone plays set in the same universe chronicling a primal conflict that will redefine the nature of the human race.

An Inspector Calls

Priestley's classic play of the believable middle-class Yorkshire family called to account for its moral crimes by the enigmatic Inspector Goole stands as a metaphor for our own failure to accept our responsibility to others.

And Then There Were None

A dark thriller in three acts. One of Christie’s most foreboding tales and a masterpiece of dramatic construction, this classic play’s growing sense of dread and unfaltering tension will keep you guessing to the very end.

Blast Radius: Part Two of The Honeycomb Trilogy

Blast Radiusis the second part of Mac Rogers' science fiction epic The Honeycomb Trilogy,three stand-alone plays set in the same universe chronicling a primal conflict that will redefine the nature of the human race.

Blithe Spirit

A smash comedy hit on London and Broadway stages, this much-revived classic from the playwright of Private Lives offers wit, conflict and big laughs as a fussy, cantankerous novelist  finds himself haunted by the ghost of his late first wife.

Blood Play

Blood Play is a darkly comic thriller of post-war verve and pre-adolescent disquiet, created by New York’s critically lauded The Debate Society.

Count Dracula

"Abounds with funny lines. There is nothing in it but entertainment." - Springfield News, Mass.

Devil Boys from Beyond

Flying Saucers! Backstabbing Bitches! Muscle Hunks and Men in Pumps! Wake up and smell the alien invasion in this outrageous comedy by the author of the smash off-Broadway hit play, The Crumple Zone.

Die Mommie Die!

Newly revised! This hilarious comic melodrama evokes the 1960s “Grande Dame Guignol” movie thrillers that featured such aging cinematic icons as Bette Davis, Joan Crawford, Lana Turner and Susan Hayward.

Haunting Julia

Julia Lukin was a musical prodigy who committed suicide 12 years ago. Her father Joe has never come to terms with her death, and in the Julia Larkin Centre For Performing Studies, he hopes to discover what happened by meeting with a psychic, Ken, and Julia's boyfriend, Andy, who was the last person to see her alive. The men meet in Julia's preserved bedroom and Joe reveals that he believes Julia is trying to contact him, haunting him in order to explain what happened. Between the three men, the story of Julia's life and death is gradually revealed - often at odds with what each man believes he knew. Julia had ultimately been unable to cope with the pressures of both her father and her overwhelming musical gift. Joe, of course, is unwilling to accept his love could ever have led to Julia's suicide, while Andy is still guilt-ridden about whether he could have prevented the tragedy had he not broken up with her that night. Ken attempts to contact Julia, but is revealed to be a hoax when he picks up Julia's teddy-bear to receive a message. The bear is a plant, the original long since lost. Ken reveals that he has waited many years to meet Joe and explain that he knew Julia; that she would come and find refuge in his and his wife's normal life and that, contrary to what may have been said, Julia told him at the end she loved her father. Ken is actually more aware of what is happening than the others credit him for though and as each of the men's feelings and recollections come to light, Ken believes Julia is poised to appear. A door onto what should be a brick wall blows open; impossibly the original corridor is present. Julia manifests herself, visible only to Joe, although the room is wrecked by an eerie wind and the bed begins to bleed. Joe understands what Julia has endured and that she is not at peace; he is haunting her. In a final moment of understanding, Joe lets his daughter go.

Hookman

In this existential slasher comedy, Lexi and her friends learn what it means to grow up – and it’s not pretty.

Marjorie Prime

In this richly spare, wondrous new play, Jordan Harrison explores the mysteries of human identity and the limits — if any — of what technology can replace.

Sovereign: Part Three of The Honeycomb Trilogy

Sovereignis the third part of Mac Rogers' science fiction epic The Honeycomb Trilogy,three stand-alone plays set in the same universe chronicling a primal conflict that will redefine the nature of the human race.

The 39 Steps

Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have The 39 Steps, a fast-paced whodunit for anyone who loves the magic of theatre! This two-time Tony and Drama Desk Award-winning treat is packed with nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of four), an onstage plane crash, handcuffs, missing fingers, and some good old-fashioned romance!

The House of Dracula

"A Monster Hit." - Yorkshire Evening Post.

This clever spin off of The House of Frankenstein finds the Baron, Baroness and their repulsive retainers, Igor and Frau Lurker, going to stay at a macabre Transylvania fortress.

The Legend of Sleepy Hollow (Heimbuch/Ferguson)

This dynamic ensemble-based retelling of the famous Washington Irving short story is a spooktacular, crowd-pleasing theatrical event. 

The Ocean at the End of the Lane

Adapted from Neil Gaiman’s bestselling novel, The Ocean at the End of the Lane is a thrilling feat of storytelling in which fantasy, sci-fi, myth and imagination combine in an adventure that unfolds right here, in our world.