Mr. Burns, a post-electric play

A SAMUEL FRENCH, INC. TITLE

Mr. Burns, a post-electric play

Full-Length Play, Dark Comedy  /  5w, 3m

What will endure when the cataclysm arrives—when the grid fails, society crumbles, and we’re faced with the task of rebuilding? Anne Washburn’s imaginative dark comedy is an animated exploration of how the pop culture of one era might evolve into the mythology of another.

Image: 2013 Playwrights Horizons Production (Joan Marcus)

Mr. Burns, a post-electric play

  • Cast Size
    Cast Size
    5w, 3m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Experimental
  • Audience
    Target Audience
    Appropriate for All Audiences, Adult
Accolades
Accolades
  • Winner! 2015 Whiting Award for Drama
    Nominee: 2014 Drama League Award for Outstanding Production of a Broadway or Off-Broadway Play

Details

Summary

Anne Washburn’s imaginative dark comedy – a play with music featuring songs by Washburn and Michael Friedman – propels us forward nearly a century, following a new civilization stumbling into its future.

After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of The Simpsons episode "Cape Feare" entirely from memory. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post-apocalyptic society, sincerely trying to hold onto its past. Seventy-five years later, these are the myths and legends from which new forms of performance are created.

A paean to live theater, and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another.

History
Mr. Burns, a post-electric play received its world premiere at the Woolly Mammoth Theater Company in Washington DC in May 2012. The play premiered off-Broadway at Playwrights Horizons on 15 September 2013. Directed by Steve Cosson, the production featured Quincy Tyler Bernstine, Susannah Flood, Gibson Frazier, Matthew Maher, Nidra Sous la Terre, Jennifer R. Morris, Colleen Werthmann and Sam Breslin Wright.

Roles are doubled/tripled like so:

MATT – Homer/Scratchy
JENNY – Marge/Marge
SUSANNAH – Lisa & Second FBI Agent/Itchy
SAM – Bart/Mr. Burns
COLLEEN – First FBI Agent/Lisa
GIBSON – Loving Husband & Sideshow Bob/Homer
QUINCY – Businesswoman/Bart
NEDRA – Edna Krabappel

Note: Everyone participates in the second act medley, and everyone spare sings chorally in the third act – with Nedra (playing Edna Krabappel) as the Chorus Leader.
It should be noted that the characters in this play bear at best a passing and, in many cases, no resemblance whatsoever to the actors initially involved in the project!

It should be noted that the characters in this play bear at best a passing and in many cases no resemblance whatsoever to the actors initially involved in the project!

  • Time Period Contemporary, The Future
  • Setting The very near future. Then 7 years after that. Then 75 years after that.
  • Features Contemporary Costumes/Street Clothes
  • Additional Features Play with Music
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Gun Shots
    • Mild Adult Themes

Media

Critic's Pick! “Downright brilliant.” – The New York Times

“Anne Washburn’s hypnotic, sly and fiendishly insinuating Mr. Burns, a post-electric play... does the improbable: It makes the end of civilization seem like the perfect time to create glowing objects of wonder and beauty.” – Time Out New York, Read More

“Downright brilliant. When was the last time you met a new play that was so smart it made your head spin? Get ready to reel, New York. Anne Washburn’s Mr. Burns, a post-electric play has arrived to leave you dizzy with the scope and dazzle of its ideas. With grand assurance and artistry, Ms. Washburn makes us appreciate anew the profound value of storytelling in and of itself, and makes a case for theater as the most glorious and durable storyteller of all. I look forward to remembering it for a long, long time.” (Critic's Pick) — The New York Times, Read More

“Get in line ASAP. This bizarre, funny, bleak, wonderful show is even better than its hype. Inventively directed by the Civilians’ Steve Cosson, it’s also one of the most affecting tributes to theater and tenacity you’re likely to see all year.” – New York Post, Read More

“With songs of horror and resilience, Washburn reminds us of the ways stories survive and adapt with us, how their specifics and lessons change to the society that tells them, how their meaning is inconstant but our need for that meaning, whatever it happens to be at a given time, is pure and permanent... The stories we tell ourselves, the jokes we repeat, the TV in which we pickle – all that shapes us, the show insists, and none of it need be the dead end we might fear. From hell, Mr. Burns sends us to heaven.” – The Village Voice

Mr. Burns subtly dramatises the process of cultural transmission in a mass media era. In Washburn's post-apocalyptic world, the works of Joseph Conrad, William Shakespeare and Tennessee Williams apparently survive only in episodes of The Simpsons punningly titled ‘Bart of Darkness,’ ‘Much Apu about Nothing’ and ‘A Streetcar Named Marge.’” – The Bard to Bart: How Mr. Burns Challenges Our Common Culture, The Guardian, Read More

ON BREAKING CHARACTER

Mr. Burns Turns 10: An Interview with Playwright Anne Washburn
14 September 2023

Videos

  • MR. BURNS (NY Premiere), Playwrights Horizons youtube thumbnail

    MR. BURNS (NY Premiere), Playwrights Horizons

  • MR. BURNS, a post-electric play - Woolly Mammoth youtube thumbnail

    MR. BURNS, a post-electric play - Woolly Mammoth

  • Matthew Maher - In Performance, NY Times youtube thumbnail

    Matthew Maher - In Performance, NY Times

Photos

  • Mr. Burns, a post-electric play

    Image: 2013 Playwrights Horizons Production (Joan Marcus)

Music

Music Samples

  • Musical Style Pop/Rock
  • Vocal DemandsEasy
  • Chorus Size Small

Licensing & Materials

  • Minimum Fee: £85 per performance plus VAT when applicable.
    This title is now available for licensing. Please contact your
    licensing representative for more information regarding this title.

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Authors

Anne Washburn

Anne Washburn’s play's include Mr. Burns, 10 out of 12, Antlia Pneumatica, A Devil At Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Internationalist, The Small, Little Bunny Foo Foo and transadaptations of Euripides' Orestes and Iph ...
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Michael Friedman

Michael Friedman was an Obie Award-winning composer/lyricist. He was most well-known as the co-creator of the critically-acclaimed musical Bloody Bloody Andrew Jackson, which premiered in New York at the Public Theater and subsequently transferred to Broadway. Other credits i ...

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