A TAMS-WITMARK TITLE

Applause

Full-Length Musical, Dramatic Comedy  /  4w, 4m

Book by Betty Comden and Adolph Green
Music by Charles Strouse
Lyrics by Lee Adams
Based on the film All About Eve and the original story by Mary Orr

Original production directed and choreographed by Ron Field
Originally produced by Joseph Kipness and Laurence Kasha

An updated musical adaptation of the classic film All About Eve, Applause uncovers the ruthless world of show business, where a conniving young actress attempts to sabotage the career of a seasoned musical theatre star.

  • Cast Size
    Cast Size
    4w, 4m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptation (Stage & Screen)
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Four 1970 Tony Awards, including Best Musical
    Nominee: Ten 1970 Tony Awards
    Winner! Two 1970 Theatre World Awards for Best Actor and Best Featured Actress
    Winner! Three 1970 Drama Desk Awards for Outstanding Director, Choreography, and Performance
Applause

Details

Summary

With sass, wit, and a pulsing 1970s score, Applause presents show biz in all its glory and ferocity. The updated musical version of All About Eve concerns superstar Margot Channing and her ambitious, scheming assistant, Eve Harrington.

Book writers Betty Comden and Adolph Green wrote, "The strength of All About Eve, so soundly conceived and executed on the screen, lay in the timelessness of its basic story. It is a tale of treachery... told in terms of the witty, glamorous theatre star and the mousy, adoring girl from the sticks who ingratiates herself into the star's private world, and then systematically attempts to take over her career, her lover, and her life." The musical's hit songs include "But Alive," "Applause," "Welcome to the Theater" and "Something Greater."

History
Applause opened on Broadway at the Palace Theatre on Mar 30, 1970, starring Lauren Bacall, Len Cariou and Penny Fuller. Bonnie Franklin sang the title song. The production won four Tony Awards and ran for 896 performances.

Act I

At the 1970 Tony Awards, seasoned theater and film star Margo Channing presents the Best Actress trophy to newcomer Eve Harrington, who graciously thanks "my producer, my director, my writer, and above all… Margo Channing." In flashback, Margo recalls the opening night, less than two years before, when Eve first entered her life.

After Margo’s successful opening performance, admirers crowd her dressing room and fill the air with "Backstage Babble." Eve Harrington, a young fan who “spent her last penny” watching every preview just to see Margo, is ushered into the star’s dressing room. Shy and modestly dressed, Eve recounts her bleak and difficult past, congratulates Margo, and thanks her for “lighting up” her life. Charmed, Margo invites Eve to stay and celebrate.

Margo’s fiancé, the show’s director Bill Sampson, has to fly to Rome to direct a movie. Margo begs him to stay, but Bill lovingly tells her he’ll return soon ("Think How It's Gonna Be"). Margo dreads facing the opening night party alone. Seeking a good time, she persuades Duane, her gay hairdresser, to take her and Eve to a gay nightclub in Greenwich Village ("But Alive"). The lively evening ends back at Margo's apartment where Eve dubs it "The Best Night of My Life." Alone in her room, Margo watches one of her old movies on TV, sarcastically commenting on her advancing age ("Who's That Girl?")

Four months later, Eve has become Margo's indispensable assistant, impressing Margo's close friends, including her producer, Howard Benedict. Howard takes Eve to Joe Allen’s, a gypsy hangout. "Gypsy," Howard explains, "is the name dancers affectionately give themselves as they go camping from show to show." The gypsies, led by Bonnie, celebrate their lives in show business ("Applause").

Late that night, after a phone call from Bill in Rome, Margo longingly wishes he would "Hurry Back." Bill does return two weeks later, but at his welcome-home party, Margo grows jealous of Bill’s flirtatious relationship with Eve, leading to a disastrous evening ("Fasten Your Seat Belts").

Over time, Eve, continuing as Margo's ever-present assistant, memorizes all of Margo's lines, and she contrives to get herself hired as Margo's understudy. Margo, feeling betrayed and threatened, bitterly denounces Eve’s treachery ("Welcome to the Theatre”). Bill, shocked by Margo’s behavior, accuses her of paranoia. After a bitter fight, they end their relationship, and Margo finds herself alone on an empty stage.

Act II

Margo is visiting her friends, playwright Buzz Richards and his wife Karen, in their Connecticut home (“Inner Thoughts”). Karen, thinking Margo behaved unfairly to Eve, arranges for Margo to miss a performance; she drains the car's gas tank to delay their return to New York. Stuck in the country for the night, they express their warm feelings as "Good Friends." Back in New York, Eve gives a triumphant performance in Margo's role. After the show, Eve flirts with Bill, but he resists.

Howard again takes Eve to Joe Allen’s, but Eve snubs Bonnie and her friends, who do a scathing parody of the girl who became an overnight star ("She's No Longer a Gypsy").

While filming a TV commercial, Margo fumes over a nasty newspaper interview in which Eve has bashed “mature actresses.” Bill, realizing what Eve's true intentions have been, rushes back to reconcile with Margo ("One of a Kind"). Margo, however, remains too focused on her career to think about Bill (“Think How It’s Gonna Be” Reprise).

Eve, who has begun having an affair with Buzz, delights in her successful rise to the top ("One Hallowe'en"). But Howard interrupts her private celebration to reveal he’s learned the truth; Eve lied about her life story, and despite her string of affairs, she remains married to a man serving in Vietnam. When Eve curses him, Howard slaps her. Threatening to reveal the truth, he brutally orders Eve to end her affair with Buzz and remain with him exclusively.

Karen, who has learned about her husband’s affair with Eve, apologizes to Margo. Margo immediately forgives her, explaining that Eve will undoubtedly wind up empty and alone. Margo suddenly realizes that Eve’s treachery has given her an opportunity to find "Something Greater” for herself, and she ardently reunites with Bill. In the finale, Margo and Bill join with the entire company, asking, "Why do we live this crazy life?" Answer: "Applause."

Principals
(4 female; 4 male)

Margo Channing — Superstar actress, queen of the theater
Eve Harrington — Aspiring actress, a generation younger than Margo
Karen Richards — Margot's friend, married to Buzz
Bonnie — Principal singer among the show biz gypsies

Bill Sampson — Margo’s lover and her director
Howard Benedict — Theatrical producer
Buzz Richards — Playwright, married to Karen
Duane Fox — Margo’s hairdresser

Supporting

Peter — Margo’s agent
Bob — Margo’s lawyer
Stan Harding — Newspaper columnist
Bert — Stage manager for Margo’s play
Sammy — One of the Village Bar patrons
Orrin — TV director and stage piano player for gypsies
Mike - Show biz gypsy
Danny Burns — Dedicated show biz gypsy
Debi — Solo voice among show biz gypsies

Others

Tony Awards Announcer
Tony Awards Host
Village Bartender

Ensemble

Show Biz Gypsies: Carol, Joan, Gene
American and Italian telephone operators’ voices
Stage hands, show business gypsies, autograph seekers, party guests, waiters, three musicians, Village Bar customers, TV technicians and script girl

  • Time Period 1970s
  • Setting In and around New York. 1970.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“Bright, witty, direct, and nicely punchy… the whole show is sharp and fun.” – Clive Barnes, The New York Times

“A musical play that is bright, witty, direct, and nicely punchy… the whole show is sharp and fun – everyone’s idealized version of what show business ought to be.” – Clive Barnes, The New York Times

Music

Music Samples

Act I

1. Overture – Orchestra
1a. Margo’s Entrance – Orchestra
1b. Eve’s Entrance – Orchestra
2. “Backstage Babble” – Ensemble
2a. Babbler’s Exit – Debi & Chorus
3. “Think How It’s Gonna Be” – Bill
4. “But Alive” – Margo, Eve, Duane & Ensemble
4a. Playoff: But Alive – Sammy
5. “The Best Night Of My Life” – Eve
6. “Who’s That Girl” – Margo & Eve
6a. End of Scene – Eve
7. Eve’s Mirror – Orchestra
8. Reprise: “Backstage Babble” – Ensemble
9. “Applause” – Bonnie & Ensemble
9a. Reprise: “Applause” – Bonnie & Ensemble
10. "Hurry Back" / Reprise: “Think How It’s Gonna Be” – Margo & Bill
11. Tarantella – Orchestra
12. “Fasten Your Seat Belts” – Margo, Bill, Karen, Buzz, Duane, Howard, Debi, Joan & Ensemble
13. Finale Act One: “Welcome To The Theater” – Margo

Act II

14. Entr’acte – Orchestra
15. “Inner Thoughts” – Margo, Karen & Buzz
16. “Good Friends” – Margo, Karen & Buzz
17. Reprise: “The Best Night Of My Life” – Eve
17a. End of Scene 2 – Eve & Chorus
18. “She’s No Longer A Gypsy” – Bonnie, Duane, Mike & Ensemble
19. “One Of a Kind” – Margo & Bill
19a. Reprise: “Think How It’s Gonna Be” – Bill
20. “One Hallowe’en” – Eve
20a. Scene Change – Orchestra
21. Finale Act Two: “Something Greater” – Margo & Bill
22. Bows – Margo & Full Company
23. Exit Music – Orchestra

 

Full Orchestration

Violins 1 & 2
Viola
Cello
Bass and Electric Fender Bass

Reed 1: Alto Saxophone, Clarinet, Flute, Piccolo (Optional Alto Flute)
Reed 2: Alto Saxophone, Clarinet & Flute
Reed 3: Tenor Saxophone, Clarinet & Bass Clarinet
Reed 4: Tenor and Soprano Saxophones, Clarinet (Optional Eb Clarinet)
Reed 5: Baritone Saxophone, Clarinet, Bassoon (Optional Flute)

Trumpets 1 & 2 (Both double Flugelhorn. Trumpet 1 with electric attachment to lower pitch)
Trumpet 3 (and Flugelhorn)
Trombone 1
Trombone 2
Trombone 3 (Bass Trombone)

Percussion 1 & 2

1:
Timpani (2)
Xylophone
Bells
Vibraphone
Chimes
Cymbals:
Suspended
Finger
Hand
Sleigh Bells
Triangle
Bell Plate
Bongo Drums

Wood Block (2)
Castanets
Tambourine
Cabasa
Maracas
Ratchet
Duck Quack
Slide Whistle
Train Whistle
Slapstick (opt.)
Pistol
Machine Gun
Siren

2:
Snare Drum
Bass Drum
Tom Tom
Cymbals:
Suspended
Hi-Hat
Sock
Choke
Sleigh Bells
Castanets
Wood Block
Cow Bell
Triangle

Harp
Electric Organ
Guitar (Electric & Acoustic), Banjo, and Mandolin, cued for stage Ukulele

Piano-Celeste (Piano-Conductor’s Score)


Orchestra parts have been cross cued to make the following parts optional: Violins I & II, Viola, Cello, Harp, Organ & Guitar.

  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
36 Libretto-Vocal Book
1 Piano-Conductor
1 Reed 1
1 Reed 2
1 Reed 3
1 Reed 4
1 Reed 5
2 Trumpet 1&2
1 Trumpet 3
1 Trombone 1
1 Trombone 2
1 Trombone 3
2 Percussion 1&2
1 Harp
1 Organ
1 Guitar
3 Violin 1&2
1 Viola
1 Cello
1 Bass
36 Libretto-Vocal Book
1 Piano-Conductor

Add-Ons

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Authors

Lee Adams

Lee Adams began his professional career as a journalist, working as a newspaper reporter, magazine writer and editor, and radio writer and interviewer. But his life took a sudden turn when his “hobby” of lyric writing led to Bye, Bye Birdie in 1960. This unheralded little Bro ...

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Charles Strouse

Charles Strouse is one of America's most successful musical theatre composers. His first Broadway musical, Bye Bye Birdie (1960), written with his long-time collaborator Lee Adams, won him a Tony Award and the London Critics Best Foreign Musical Award. In 1970, Applause, star ...

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Adolph Green

Adolph Green (1914-2002) was an award-winning screenwriter, librettist and lyricist, co-writing with his longtime creative partner, Betty Comden. Comden and Green had a groundbreaking partnership of over 60 years, winning Tony Awards for their lyrics and/or librettos for Appl ...

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Betty Comden

Betty Comden (1917-2006) was an award-winning screenwriter, librettist and lyricist, co-writing with her longtime creative partner, Adolph Green. Comden and Green had a groundbreaking partnership of over 60 years, winning Tony Awards for their lyrics and/or librettos for Appl ...

View full profile

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