Hello, Dolly!

A TAMS-WITMARK TITLE

Hello, Dolly!

Full-Length Musical, Comedy  /  5w, 4m plus ensemble

Book by Michael Stewart
Music and Lyrics by Jerry Herman
Based on the play The Matchmaker by Thornton Wilder

Original Production Directed and Choreographed by Gower Champion
Produced for the Broadway Stage by David Merrick and Champion Five, Inc.

The blockbuster Broadway hit bursts with humor, romance, high-energy dancing and some of the greatest songs in musical theatre history.

Image: 2017 Broadway Production (Julieta Cervantes)

  • Cast Size
    Cast Size
    5w, 4m plus ensemble
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Farce, Adaptation (Literature), Period, Romantic Comedy
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Ten 1964 Tony Awards, including Best Musical, Author and Composer/Lyricist
    Winner! New York Drama Critics Circle Award for Best Musical
    Winner! Two 1968 Outer Critics Circle Awards
    Winner! Four 2017 Tony Awards, including Best Revival of a Musical
    Winner! Three 2017 Drama Desk Awards, including Outstanding Revival of a Musical
Hello, Dolly!
Also Available

Details

Summary

This musical adaptation of Thornton Wilder’s hit play The Matchmaker bursts with humor, romance, energetic dance and some of the greatest songs in musical theatre history. The romantic and comic exploits of Dolly Gallagher Levi, turn-of-the-century matchmaker and "woman who arranges things," are certain to thrill and entertain audiences again and again.

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History
Hello, Dolly! premiered on Broadway on January 16, 1964 at the St. James Theatre. Opening with Carol Channing in the title role, the show ultimately played for 2,844 performances, making it – at the time – the longest-running Broadway musical in history. The West End production ran for 794 performances at London’s Drury Lane Theatre. The musical has been revived several times on Broadway, most recently in 2017, starring Bette Midler as Dolly Levi.
Act I

In turn-of-the-century Yonkers, New York, everyone turns to professional meddler and matchmaker Dolly Gallagher Levi for advice on romance, practical matters and everything else (“Call on Dolly”). Dolly, of course, is happy to oblige (“I Put My Hand In”).

The town’s miserly half-a-millionaire Horace Vandergelder, a widowed hay & feed dealer, seeks a second wife (“It Takes A Woman”) and hires Dolly to find him a suitable match. Though she arranges for Horace to meet the young widow Irene Molloy, Dolly clearly has her own interest in Horace—and his money. Meanwhile, a young artist named Ambrose Kemper seeks Dolly’s assistance in acquiring the hand of Vandergelder’s niece, Ermengarde.

When Vandergelder leaves Yonkers for New York City to court Mrs. Molloy, his clerks, Cornelius Hackl and Barnaby Tucker, decide to take an unauthorized holiday themselves, vowing to find adventure in the big city (“Put On Your Sunday Clothes”). Meanwhile, in her New York hat shop, Irene wistfully considers pursuing a new relationship, or at least a flirtation, after years of mourning her late husband (“Ribbons Down My Back”).

Barnaby and Cornelius arrive in New York City and excitedly explore the sights. They spot Vandergelder on the sidewalk and hurriedly take refuge in the nearest shop, which happens to be Irene’s millinery. Cornelius and Irene are immediately smitten, but Vandergelder appears at the shop door, and the young men scramble to hide. Dolly, arriving just in time, joins Irene and her assistant Minnie Fay as they distract the irate Vandergelder (“Motherhood March”). Frustrated and thoroughly flummoxed, Vandergelder leaves in a huff.

As partial recompense, Dolly orders the clerks to take Irene and Minnie to the lavish Harmonia Gardens restaurant for dinner. Cornelius, who clearly could never afford such an extravagance, claims he can’t dance, but the versatile Mrs. Levi teaches him on the spot, and soon the two couples are waltzing romantically (“Dancing”). The young foursome runs off to watch a parade, and Dolly – addressing her late husband, Ephraim – reaffirms a desire to move on with her life (“Before the Parade Passes By”).

Act II

Cornelius and Barnaby, too poor to afford a taxi, persuade the ladies that walking to the restaurant is far more elegant than hiring a hack (“Elegance”).

At the Harmonia Gardens, Rudolph, the majordomo, exhorts his waiters to provide even better and faster service tonight—Dolly Levi is coming back! In a welter of dazzling precision, criss-crossing at breakneck speed, the staff prepares for Dolly’s arrival (“The Waiters’ Gallop”). Cornelius and party arrive and occupy a luxurious private dining booth, complete with drawn curtain. Horace and his date, Ernestina Money, reputed by the conniving Dolly to be an heiress, sit in another. Ernestina, who proves to be less refined than Horace had hoped, soon gets drunk and passes out.

Finally, Dolly makes her grand entrance and the entire restaurant celebrates (“Hello, Dolly!”). Dolly settles down to eat with Horace, talking incessantly and repeatedly rejecting a proposal of marriage… which he never makes.

A dance contest begins (“The Polka Contest”), and just as Ambrose and Ermengarde are declared the winners, Horace discovers he has the wrong wallet; he and Barnaby, through a mix-up, have exchanged them. In the melee that follows, Rudolph calls the police, and the whole party is arrested. In the courthouse, Cornelius admits he’s no playboy millionaire, but it doesn’t matter; he loves Irene and he’ll always have the memory of one miraculous day (“It Only Takes A Moment”). The judge, moved by Cornelius’s sentiment and persuaded by Dolly Levi, Counselor-At-Law, dismisses everyone except Horace Vandergelder. Horace expects Dolly to help him, but instead she chooses to walk away (“So Long, Dearie”).

The next morning, back in Yonkers, a chastened Horace Vandergelder reflects on the recent events in his life and realizes he’s hopelessly in love with Dolly. Dolly enters the store and convinces Horace to take Cornelius as his business partner and allow Ambrose and Ermengarde to marry. Still unsure about marrying Horace, Dolly asks her late husband Ephraim for a sign. Horace, who has hired a fledgling businessman to renovate his home, spontaneously repeats an old saying of Ephraim's: "Money is like manure. It's not worth a thing unless it's spread about, encouraging young things to grow." Satisfied, Dolly agrees to marry Horace and vows she’ll “never go away again” (Finale: “Hello, Dolly”).

Principals
(5 female; 4 male)

Mrs. Dolly Gallagher Levi — an indefatigable meddling matchmaker; a widow in her middle years
(Orig. Range: Eb3-G4 w/ opt. notes down to Bb2; Med-Voice Vers: G3-C#5 w/ opt. notes down to F#3)
Mrs. Irene Molloy — a millineress with a hat shop near 14th Street in New York City
(Contralto - Range in both versions: A3-D5, w/ optional notes down to G3 and up to E5)
Minnie Fay — a young girl who works in Irene’s Shop
(Comic Soprano - Orig. Range: Eb4-F5 w/ opt. notes down to C4; Med. Voice Vers: Bb3-F5)
Ernestina — a single woman in need of Mrs. Levi’s services 
(Range in both versions: F4-D5)
Ermengarde — the 17-year-old niece of Horace Vandergelder
(Orig. Range: E4-G5; Med. Voice Vers: A3-C#5)

Horace Vandergelder — proprietor of a hay and feed store in Yonkers, NY and a client of Mrs. Levi’s
(Baritone - Range in both versions: B2-E4)
Cornelius Hackl — Vandergelder’s chief clerk, 33 years old
(High Baritone - Orig. Range: D#3-G4 w/ opt. notes down to Bb2; Med. Voice Vers: C3-G4 w/ opt. notes down to A2)
Barnaby Tucker — an assistant to Cornelius, 17 years old
(Tenor - Orig. Range: E3-G4 w/ opt. notes down to Bb2; Med. Voice Vers: Bb2-G4 w/ opt. notes down to A2)
Ambrose Kemper — a young artist seeking to marry Ermengarde
(Tenor - Orig. Range: E3-G4; Med. Voice Vers: F#3-F#4)

Supporting (from the Chorus)

Mrs. Rose — sells vegetables from a street cart, a friend of Mrs. Levi’s from years before
Coachman — non-speaking
Horse — two chorus/dancers
Rudolph Reisenweber — the Prussian major-domo of the Harmonia Gardens Restaurant
Stanley — a young waiter
Fritz, Harry, Louie, Danny, Manny and Hank — Harmonia Gardens waiters; non-speaking chorus/dancers
First Cook — Harmonia Gardens employee with a German accent
Second Cook — Harmonia Gardens employee
Judge — white-whiskered, red-nosed, New York night court
Policemen — several New York City officers; only one speaking
Court Clerk (Recorder) — male chorus member
Paperhanger — non-speaking

Ensemble

Townspeople of New York
Yonkers Band
Lodge Members
Feed Store Customers
Harmonia Gardens Customers
Polka Contest Contestants
14th Street Parade Ensemble

Suggested: 8 female dancers, 8 female singers, 6 male singers, 12 male dancers.

(Can be done with fewer)

The original Broadway production had a cast of 45 performers, including chorus. Some doubling was employed in the minor parts.
The 2017 Broadway revival had a cast of 33 performers, including chorus. Again, some doubling was employed.

  • Time Period 1900-1910
  • Setting Yonkers, New York and New York City at the turn of the 20th century.
  • Features Period Costumes
  • Additional Features Physical Comedy
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • No Special Cautions

Media

“A musical comedy dream... Wow, wow, wow indeed.” – Peter Travers, Rolling Stone

“In a word, perfection.” – Adam Feldman, Time Out New York

“Glorious... exudes both the burnished glow of a musical from another era and the gleam of a newly-minted coin.” – Adam Green, Vogue

“Dazzling... Type out all the superlatives you can because nights like this in the theatre make you feel overjoyed... Hello, blockbuster!” – Joe Dziemianowicz, The Daily News

“Classic Broadway at its best.” – Maya Stanton, Entertainment Weekly

“So surpassingly beautiful, propelled by such glorious razzle-dazzle, and crafted with such joy and intelligence that it deserves to be studied, emulated and above all celebrated.” – Christopher Kelly, The Star-Ledger

“An extravagant pleasure of swoops and whirls and high kicks. The show is a riotous delight.” – Alexis Soloski, The Guardian

Videos

  • Hello, Dolly! 2018 National Tour youtube thumbnail

    Hello, Dolly! 2018 National Tour

  • Bette Midler on Hello, Dolly! youtube thumbnail

    Bette Midler on Hello, Dolly!

  • Hello, Dolly! at Riverside Theatre youtube thumbnail

    Hello, Dolly! at Riverside Theatre

  • Dolly at Broadway in Cincinnati youtube thumbnail

    Dolly at Broadway in Cincinnati

  • Hello, Dolly! TV Commercial (1978) youtube thumbnail

    Hello, Dolly! TV Commercial (1978)

  • Hello Dolly! Pearl Bailey 1968 Tony Awards youtube thumbnail

    Hello Dolly! Pearl Bailey 1968 Tony Awards

Show more +

Photos

  • Hello, Dolly!

    Image: 2017 Broadway Production (Julieta Cervantes)

  • Hello, Dolly!

    Image: 2017 Broadway Production (Julieta Cervantes)

  • Hello, Dolly!

    Image: © Justin “Squigs” Robertson

  • Hello, Dolly!

    Image: Sam Norkin

  • Hello, Dolly!

    Image: Sam Norkin

Show more +

Music

Music Samples

Act I

Overture – Orchestra
1. Opening Act One – Chorus of Townspeople
2. “I Put My Hand In” – Dolly
2a.  Yonkers March – Orchestra
3. “It Takes A Woman” – Horace, Cornelius, Barnaby & Male Chorus
3a. Reprise: “It Takes A Woman” – Horace & Dolly
4. “Put On Your Sunday Clothes” – Cornelius, Barnaby, Dolly, Ermengarde, Ambrose & Chorus
4a.  Encore: “Put On Your Sunday Clothes” – Dolly, Cornelius, Barnaby, Ambrose & Chorus
4b.  Incidental: Hat Shop – Orchestra
5. “Ribbons Down My Back” – Mrs. Molloy
5a.  Reprise: “Ribbons Down My Back” – Mrs. Molloy
6. “Motherhood March” – Dolly, Mrs. Molloy & Minnie
7. “Dancing” – Dolly, Cornelius, Barnaby, & Mrs. Molloy
7a.  Incidental: I Put My Hand In – Orchestra
8. “Before The Parade Passes By” – Dolly & Chorus
9. Finale: Act One – Dolly

Act II

10.Entr’acte – Orchestra
11. “Elegance” – Mrs. Molloy, Minnie, Cornelius & Barnaby
11a. March To Harmonia Gardens – Orchestra, then Ernestina
12. Waiters’ Galop – Orchestra
12a. Hello, Dolly (Agitato) – Orchestra
13. “Hello, Dolly” – Dolly & Male Chorus
13a. Reprise: “Hello, Dolly” – Male Chorus
14. Reprise: Waiters’ Gallop – Orchestra
15. Polka – Orchestra
16. “It Only Takes A Moment” – Cornelius
16a.  “It Only Takes A Moment (Part II) – Mrs. Molloy, Cornelius & Chorus
16b.  End of Courtroom Scene – Orchestra
17. “So Long, Dearie” – Dolly
17a. Change of Scene – Orchestra
18. Finale Ultimo – Company
19. Curtain Music – Orchestra
20. Exit Music – Orchestra

Full Orchestration

1   Reed 1 – Piccolo, Flute, Clarinet & Alto Saxophone
1   Reed 2 – Clarinet & Alto Saxophone
1   Reed 3 – Clarinet & Tenor Saxophone
1   Reed 4 – Clarinet, Bass Clarinet & Baritone Saxophone
2   Trumpet 1&2
1   Trumpet 3
1   Trombone 1
1   Trombone 2
2   Percussion 1&2 – Timpani (2 Drums), Bass Drum, Snare Drum, Cymbals (Sus. & Hand), Vibraphone, Xylophone, Glockenspiel, Bell Plate, Wood Block, Cow Bell, Slide Whistle & Ratchet
1   Guitar – Doubling Banjo
1   Piano – Piano & Celeste
2   Violin 1 (4 players) – optional
1   Violin 2 (2 players) – optional
1   Viola (2 players) – optional
1   Cello (2 players) – optional
1   Bass – Doubles optional Tuba

Orchestra parts are cued so the score may be played with the following minimum number of parts: 3 Reeds, 2 Trumpets, 1 Trombone, 1 Percussion, Bass and Piano. Add parts in the following order to build the full orchestra: Reed 4, Trombone 2, Trumpet 3, Cello, Violins, Viola, Percussion 2 and Guitar-Banjo.

Medium-Voice Transpositions for the role of Dolly Levy

As sung on the original cast album by Carol Channing, the keys for Dolly Levi’s nine numbers are too low for many singers. The Medium-Voice Transpositions provide a comfortable range for most soprano “belters.”
The computer-engraved transposition books contain complete musical numbers and playoffs, if necessary, to make rehearsals and performances as smooth as possible. The Medium-Voice Transpositions are specially made to accommodate Dolly’s role; all the other musical numbers remain in their original keys. The transpositions are carefully crafted to minimize range adjustments necessary for the other singers in ensemble numbers. Performing HELLO, DOLLY! with the Medium-Voice Transpositions requires both a complete set of the original performance materials and the transposition materials.

For an additional charge you will receive for each number that is transposed: 1 Piano-Conductor’s Score, 5 Chorus-Vocal Parts, and a complete set of orchestra parts.

Dolly Keys: Original (Channing) vs. Medium-Voice Transpositions

No. 2 • I Put My Hand In (written up a major third)ChanningMedium Voice
          bar 1-9  A-flat  C
          bar 10-208  E-flat  G
No. 4 • Put On Your Sunday Clothes (bars 53-90 up a fourth)  
          bar 1-10  E  =
          bar 11-18  A  =
          bar 19-52  D  =
          bar 52  (B7)  (E7)
          bar 53-90  E  A
          bar 91 al fine  E-flat etc.  =
No. 6 • Motherhood March (bars 1-35 up a fourth; bars 36-101 up a fifth)  
          bar 1-28  G  C
          bar 29-61  G  D
          bar 62-101  A-flat  E-flat
No. 7 • Dancing (bars 1-65 up a fifth; bars 66-121 up a major sixth)  
          bar 1-65  G  D
          bar 66-122  E-flat  C
          bar 122-129music is in the same key,but different key signature
          bar 130 al fine  C etc.  =
No. 8 • Before The Parade Passes By (bars 1-123 up a fourth)  
          bar 1-79  D  G
          bar 80-123  E-flat  A-flat
          bar 123a-123dnew 4-bar modulation 
          bar 130 al fine  E-flat etc.  =
No. 9 • Finale — Act I (same key, but sounding at pitch)  
          bar 1-21  E-flat  E-flat
No. 13 • Hello, Dolly (bars 1-42 up a fifth; bars 77-127 up a major seventh)  
          bar 1-42  C  G
          bar 43-76  E-flat  =
          bar 77-127  B-flat  A
          bar 128 al fine  C etc.  =
No. 17 • So Long, Dearie (up a fourth)  
          bar 1-14  G  C
          bar 15-95  B-flat  E-flat
          bar 96-141  B  E
No. 18 • Finale Ultimo (bars 24-42 up a fifth)  
          bar 1-23  B-flat  =
          bar 24-42  B-flat  F
          bar 43 al fine  E-flat etc.  =

  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25   Libretto-Vocal Book
1   Piano-Conductor* (rehearsal & stick conductor)

1   Reed 1 – Piccolo, Flute, Clarinet & Alto Saxophone
1   Reed 2 – Clarinet & Alto Saxophone
1   Reed 3 – Clarinet & Tenor Saxophone
1   Reed 4 – Clarinet, Bass Clarinet & Baritone Saxophone
2   Trumpet 1&2
1   Trumpet 3
1   Trombone 1
1   Trombone 2
2   Percussion 1&2 – Timpani (2 Drums), Bass Drum, Snare Drum, Cymbals (Sus. & Hand), Vibraphone, Xylophone, Glockenspiel, Bell Plate, Wood Block, Cow Bell, Slide Whistle & Ratchet
1   Guitar – Doubling Banjo
1   Piano – Piano & Celeste
4   Violin 1 (4 players) – optional
2   Violin 2 (2 players) – optional
2   Viola (2 players) – optional
2   Cello (2 players) – optional
1   Bass – Doubles optional Tuba

*N.B. In the standard Piano-Conductor Score, Dolly's music is written an octave higher than the sounding pitch.

Optional transpositions:
Optional transpositions for the role of Dolly Levi are available for an additional fee. For specific information, please click on the Orchestration button. This set of transpositions is delivered single-sided for easy insertion into the orchestra parts.

25   Libretto-Vocal Book
1   Piano-Conductor* (rehearsal & performance)

*N.B. In the standard Piano-Conductor Score, Dolly's music is written an octave higher than the sounding pitch.

Optional transpositions:
Optional transpositions for the role of Dolly Levi are available for an additional fee. For specific information, please click on the Orchestration button. This set of transpositions is delivered single-sided for easy insertion into the orchestra parts.

Add-Ons

Take a look below at how you can enhance your show!

Authors

Michael Stewart

Michael Stewart (1924-1987) scored on Broadway the first time when he won a Tony Award for his Bye Bye Birdie libretto. He was the librettist for Carnival (Drama Critics Circle Award) and Hello, Dolly!, which earned him both a Tony and Drama Critics prize. Stewart also wrote ...

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Jerry Herman

Hello, Dolly!, Mame, and La Cage Aux Folles are home to some of the most popular, most-often performed and most successful musical hero(in)es of all time, and have given Jerry Herman (1931-2019) the distinction of being the only composer/lyricist in history to have had three ...

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Thornton Wilder

Thornton Wilder (1897-1975), born in Madison, Wisconsin, and educated at Yale and Princeton, was an accomplished novelist and playwright whose works explore the connection between the commonplace and the cosmic dimensions of human experience. The Bridge of San Luis Rey, one ...

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