A TAMS-WITMARK TITLE

Victor/Victoria

Full-Length Musical, Comedy  /  2w, 3m

Book by Blake Edwards
Music by Henry Mancini
Lyrics by Leslie Bricusse
Additional Music by Frank Wildhorn

Originally produced on Broadway by Blake Edwards, Tony Adams, John Scher, Endemol Theatre Productions, Inc., and Polygram Broadway Ventures, Inc.
Based on the theatrical motion picture owned and distributed by Turner Entertainment Co.

Hilarious, brassy and surprisingly touching, Victor/Victoria is a sophisticated musical comedy based on the acclaimed movie from director Blake Edwards.

  • Cast Size
    Cast Size
    2w, 3m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Farce, Romantic Comedy
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Two 1996 Drama Desk Awards for Actress and Featured Actress
    Winner! Two 1996 Outer Critics Circle Awards for Broadway Musical and Actress
Victor/Victoria

Details

Summary

In jazz-age Paris, singer Victoria Grant struggles to make ends meet. With some help from her flamboyant friend Toddy, Victoria ultimately achieves stardom by masquerading as a man, "Count Victor Grazinski," who performs as a female impersonator. When macho businessman King Marchan develops feelings for "Victor" and Victoria reciprocates, comic hijinks ensue. Musical numbers include "Le Jazz Hot," "You and Me," "Paris By Night" and "Crazy World."

Professional Artwork Available for Your Production of Victor/Victoria!
Concord Theatricals has collaborated with Subplot Studio to create high-quality artwork that complies with your license. Promoting your show has never been easier! Learn more at Subplot Studio.

History
Victor/Victoria opened on Broadway at the Marquis Theatre on October 3, 1995, starring Julie Andrews, Michael Nouri and Tony Roberts. The show played for 734 performances, with Liza Minelli and Raquel Welch later assuming the title role.

Act I

Carroll Todd ("Toddy" to his friends) is tenuously employed as the resident performer at Henri Labisse's Left Bank gay club, Chez Lui. Toddy and Les Boys entertain the small but appreciative audience ("Paris By Night"). Toddy insults a group of customers, which includes his ex-boyfriend Richard. Labisse threatens to fire him. A penniless English soprano, Victoria Grant, auditions unsuccessfully for Labisse. Toddy tries to help, but Labisse rejects her and fires him. Toddy befriends Victoria, and offers her shelter from the wet wintry night in his tiny apartment. They become instant buddies and confidantes. Toddy wishes he were a woman, like Victoria, while Victoria believes that there are far more advantages to being a man ("If I Were A Man").

Richard, the ex-boyfriend, arrives at Toddy's unexpectedly to collect his things. Victoria is by now wearing his hat and pajamas. Richard mistakenly thinks she is Toddy's new boyfriend and insults Toddy. Victoria punches Richard and kicks him out. Toddy is impressed. Richard actually thought Victoria was a man! And at that moment The Inspired Idea strikes Toddy right between the eyes. Why not? Victoria could indeed be a man - Europe's greatest female impersonator! Victoria says he's crazy. Toddy pursues his argument, and dreams up Count Victor Grazinsky - a gay Polish aristocrat and Toddy's new lover ("Trust Me"). "It will work," he assures Victoria. "It will not!" says Victoria. They'll never accept a woman pretending to be a man pretending to be a woman! - "They'll know he's a phony!" "Exactly," says Toddy. "They'll know he's a phony!"

Toddy drags the reluctant Victoria to meet Andre Cassell, Paris's leading impresario, who is dubious about "Count Victor Grazinsky" until he hears "him" hit a glass-shattering high G-flat. "Victor" is in business.

"Le Jazz Hot!" introduces Victor to Paris café society. His show-stopping performance at once makes him the toast of Gay Paree. The only doubter of Victor's authenticity is a dashing American business-man - cum gangster figure, King Marchan, visiting Paris with his brassy girlfriend Norma and his loyal bodyguard Squash. King is convinced Victor is a woman, and determined to prove it. At Cassell's opening night party for Victor, King invites Victor to tango with Norma, hoping to prove his point (The "Paris By Night" Tango). Victor's tango is a sensation. Norma is thrilled. King is thwarted, and starts to doubt himself. He finds Victor attractive as a woman...but what if he's a man?

By an unwelcome coincidence, King and Norma and Squash find themselves in the adjoining hotel suite to the newly successful Toddy and Victor. Norma tries to seduce King ("Paris Makes Me Horny"). She succeeds only in making him impotent. Next door, Victoria bemoans to Toddy that in King she thinks she has finally found the man of her dreams, but here she is trying to convince him that she is a man, too! ("Crazy World").

Act II

Victor continues to take Paris audiences by storm ("Louis Says"). Norma complains to Victor and Toddy that King is shipping her back to Chicago because he fancies Victor - a man! King confronts his doubts about himself and Victor ("King's Dilemma"). Is it possible that he, King, is falling for a man? He invites Victor and Toddy to dinner to try and find out. After dinner they visit Chez Lui, where Labisse also has his suspicions that Victor is a woman. He invites her/him to sing. Victor and Toddy oblige ("You and Me"). Richard's group arrives noisily in mid-song. Victor trips Richard and starts a major brawl in the club. The police arrive to break it up. Outside the club, King says he doesn't care if Victor is a man, and kisses him. Victoria admits she's not a man. King says he still doesn't care, and kisses her again (Reprise: "Paris By Night").

Back in the hotel, Squash barges into King's bedroom and finds King and Victor in bed together: He apologizes profusely: "Sorry, guys!" King tries to explain. Squash admires King for coming out of the closet, and stuns his boss by revealing that he, too, is gay! Victor and King examine their potential problems if they are perceived publicly as two men. It won't work ("Almost a Love Song").

Back in Chicago, Norma is performing in a night club ("Chicago, Illinois"). She informs King's gangster partner, Sal Andretti, that King has dumped her for another man - and is living with "a gay Polish fairy." Sal is aghast, and says they're all going to Europe. Two weeks later, Toddy and Squash have become happy partners. Not so for King and Victoria, unable to be seen together in public ("Living in the Shadows"). Victoria tells Toddy she doesn't want to be a man anymore. Toddy understands. Neither does he.

Sal and the spurned Norma arrive in Paris. King admits he loves "Victor," keeping the secret. Sal, disgusted, ends their business relationship. Victoria reveals herself to Norma as a woman. Norma is horrified. Labisse witnesses this moment of naked truth. Victoria is horrified. Toddy tells her not to worry. "Trust me!" Dissolve to Victor's farewell appearance ("Victor/Victoria"). Labisse tries to expose him/her as a fraud. Toddy, thrilled to be back in drag, replaces Victoria in a blink, to thwart Labisse and leave the way clear for a happy ending for our two loving couples: King and Victoria, and Toddy and Squash.

– Leslie Bricusse

Principals

Toddy [Carroll Todd] - the nightly singer at the club Chez Lui
Victor/Victoria Grant - a British singer
King Marchan - a nightclub owner/gangster from Chicago
Norma Cassidy - King’s girlfriend
Squash Bernstein - King’s bodyguard

Supporting

Henri Labisse - proprietor of Chez Lui
André Cassell - agent/producer and nightclub owner
Sal Andretti - King’s partner of the Chicago Speakeasy

Flower Lady [Street Singer] in a Paris square (Act II, Scene 5)
Jazz Singer at Cassell’s Paris nightclub (Act I, Scene 4)

Others

Richard Di Nardo - Toddy’s former roommate (Act I, Scenes 1 & 2; Act II, Scene 4)
Middle-Aged Actress [Simone Kallisto] (Act I, Scene 1)
Cosmetics President (Act I, Scene 1; Act II, Scene 4)
Gregor - a waiter at Chez Lui (Act I, Scene 1; Act II, Scene 4)
Choreographer at Cassell’s (Act I, Scene 3)
Miss Selmer - Cassell’s personal secretary dragon (Act I, Scene 3)
Stagehand at Cassell’s (Act I, Scene 3)
4 Reporters (Act I, Scene 3)
4 Guests [2 women & 2 men] backstage at Cassell’s (Act I, Scene 5)
Wealthy Middle-Aged Woman backstage at Cassell’s (Act I, Scene 5)
Waiter backstage at Cassell’s (Act I, Scene 5)
Policeman (Act II, Scene 4)
Clam, Sal’s henchman (Act II, Scenes 7 & 8)
Juke, Sal’s other henchman (Act II, Scenes 7 & 8)

Ensemble
Piano Player at Chez Lui (Act I, Scene 1; Act II, Scene 4)
Deviant Husband (Act I, Scene 1; Act II, Scene 4)
Madame Roget at Chez Lui (Act I, Scene 1; Act II, Scene 4)
Rehearsal Pianist at Cassell’s (Act I, Scene 3)
Maitre D’ at Left Bank Café (Act I, Scene 6)
Chambermaid at a Paris Hotel (Act II, Scene 3)
Gay Man at Chez Lui (Act II, Scene 4)

Dancers, “Le Jazz Hot” Musicians/Dancers, Street Passersby, Nightclub Patrons, Party Guests

  • Time Period 1930s
  • Setting In and around Paris and Chicago, 1930s.
  • Features Elaborate/High-Volume Costumes, Period Costumes
  • Additional Features Drag Performance
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Mild Adult Themes

Music

Act I

1. Overture/Paris By Night – Orchestra/Toddy
2. Chez Lui Piano I – Orchestra
3. “There’s A Fairy Who Hides In My Garden” – Victoria
4. You’re Fired – Orchestra
5. Lead On Macduff II – Orchestra
6. “If I Were A Man” – Victoria
7. “Trust Me” -- Toddy & Victoria
8. Cassell’s – Orchestra
9. “Le Jazz Hot” – Victor, Jazz Singer, Musicians, & Ensemble
10. Jazz Hot Playoff – Orchestra
11. Party Music – Orchestra
12. Toddy’s Turn -- Orchestra
13. Jazz Hot Foxtrot – Orchestra
14. Tango – Orchestra
15. Tango Tag S.C. – Orchestra
16. “Paris Makes Me Horny” – Norma
17. Crazy World – Victoria

Act II

18. Entr’acte – Orchestra
19. “Louis Says” – Victor & Ensemble
20. Louis Says – Chaser – Orchestra
21. Horny Exit – Orchestra
22. “King’s Dilemma” – King
23. Cat and Mouse – Orchestra
24. The Apache – Orchestra
25. Chez Lui Piano II – Orchestra
26. Piano Hot Intro – Orchestra
27. “You And Me” – Toddy & Victor
28. The Fight – Orchestra
29. Reprise: “Paris By Night” – Flower Lady
30. “Almost A Love Song” – King & Victor
31. Love Song BG – Orchestra
32. Chicago Scene Change – Orchestra
33. “Chicago, Illinois” – Norma & Girls
34. Chicago Playoff – Orchestra
35. Paris Scene Change – Orchestra
36. “Living In The Shadows” – Victoria
37. Reprise: “Living in the Shadows” – Victoria
38. Victor Victoria Intro – Orchestra
39. “Victor/Victoria” – Victoria, King, Toddy, Squash, & Ensemble
40. Bows – Orchestra
41. Exit Music – Orchestra

  • Musical Style Classic Broadway, Jazz
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25   Libretto-Vocal Book
2   Piano-Conductor (1 for rehearsal/stick conductor & 1 for the performer playing Victoria/Victor)
1   Vocal Part for King
1   Vocal Part for Toddy

1   Reed 1 – Flute, Piccolo, Clarinet & Soprano Sax
1   Reed 2 – Flute, Piccolo, Clarinet & Alto Sax
1   Reed 3 – Oboe, English Horn, Clarinet & Tenor Sax
1   Reed 4 –Clarinet, English Horn, Bass Clarinet & Tenor Sax
1   Reed 5 – Bassoon, Clarinet, Bass Clarinet & Baritone Sax
1   Trumpet 1 – dbl. Flügelhorn
1   Trumpet 2 – dbl. Flügelhorn
1   Trumpet 3 – dbl. Flügelhorn
1   Trombone 1
1   Trombone 2 – Bass Trombone
1   Percussion – Timpani (real & KAT), Bells, Marimba (or Xylo.), Cymbals (5?, 7?, splash, susp.), Gong (large), Mark Tree, Tubular Shaker, Temple Blocks (4), Hand-cranked Siren, Slide Whistle, Xylophone, Vibes, Triangles (piccolo, large), Piatti, Cowbells (high & bass), Gran Cassa, Wood Block, Castanet (mounted), Siren Whistle
1   Drums – Basic Trap Set, Splash & China Cymbals, Wood Block, Cowbell & Piccolo Triangle
1   Guitar
1   Accordion – with bass accordion and synth; in 2 volumes
1   Keyboard (in 2 volumes)
2   Violins
1   Viola
1   Cello
1   Bass
25   Libretto-Vocal Book
2   Piano-Conductor (1 for rehearsal/stick conductor & 1 for the performer playing Victoria/Victor)
1   Vocal Part for King
1   Vocal Part for Toddy

Add-Ons

Take a look below at how you can enhance your show!

Authors

Blake Edwards

Blake Edwards (1922-2010) is recognized throughout the world as a filmmaker whose name is synonymous with elegance and polish. Whether the form be social satire or slapstick, film or – for the first time with Victor/Victoria – stage, it is that unique talent that is best desc ...

View full profile

Henry Mancini

Henry Mancini (1924-1994) was one of the most versatile talents in contemporary music. During his lifetime he was nominated for 72 Grammy Awards, winning 20. Mancini was also nominated for 18 Academy Awards, winning 4, as well as a great variety of other awards and honors.

Hen ...

View full profile

Leslie Bricusse

Leslie Bricusse (1931-2021) was a writer/composer/lyricist who contributed to many musical films and plays during his long, award-winning career.

He was born in London and educated at University College School and Gonville and Caius College, Cambridge. At Cambridge, he was pre ...

View full profile

Frank Wildhorn

Multi-Grammy, Tony, and Emmy Award-nominated composer/producer Frank Wildhorn's works span the worlds of popular, theatrical and classical music. In 1999, Frank became the first American composer in 22 years to have three shows running simultaneously on Broadway: Jekyll & Hyd ...

View full profile

Now Playing

Related