Rodgers & Hammerstein's Allegro

AN R&H THEATRICALS TITLE

Rodgers & Hammerstein's Allegro

Full-Length Musical, Dramatic Comedy  /  5w, 6m

Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II

Decades ahead of its time theatrically, Rodgers & Hammerstein's Allegro chronicles forty years in the life of an average American man as he seeks meaning and purpose in life.

Image: 1947 Broadway Production (Courtesy of The Rodgers & Hammerstein Organization)

Rodgers & Hammerstein's Allegro

  • Cast Size
    Cast Size
    5w, 6m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Period
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Three 1947 Donaldson Awards, for Best Book, Best Lyrics and Best Score
    Nominee: Seven 2005 Helen Hayes Awards
    Winner! Two 2005 Helen Hayes Awards for Outstanding Resident Musical and Outstanding Director
Rodgers & Hammerstein's Allegro

Details

Summary
This ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who also served as choreographer (the legendary Agnes de Mille), Allegro followed a unique structural format traveling from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal.
History
Allegro opened on Broadway at the Majestic Theatre on 10 October 1947, featuring John Battles as Joseph Taylor, Jr., Annamary Dickey as Majorie Taylor, William Ching as Dr. Joseph Taylor, Roberta Jonay as Jennie Brinker, Lisa Kirk as Emily, and John Conte as Charlie Townsend.

Act I

In 1905, small-town physician Joseph Taylor and his wife Marjorie celebrate the birth of their son (“Joseph Taylor, Jr.”). As Dr. Taylor returns to work, he imagines his son Joe growing up to become a doctor like himself. Grandma, sitting with baby Joe, anticipates the joy of watching another baby boy grow into a man (“I Know It Can Happen Again”).

Baby Joe has all of his first sensory experiences: eating, playing with a rattle, creating a distinction between his mother and father, seeing his father leave with his bag every day as his mother kisses him goodbye. Grandma notices Joe standing up by himself for the first time and excitedly calls Marjorie over to witness the boy’s new conquest. Together, they watch Joe take his first steps, and celebrate his momentous accomplishment (“One Foot, Other Foot”).

A dance sequence takes Joe Jr. through his childhood, including an introduction to Jennie Brinker, a businessman’s daughter and friend of the Taylors, who loses her nerve when trying to emulate feats of the tomboy girls. At the end of the dance, the children say good night to one another. When Joe’s grandmother dies, Jennie keeps Joe company at home instead of going out to play.

Years pass (“Winters Go By”), and Joe is now in high school and dating Jennie. Bewildered and nervous about interacting with the opposite sex, Joe cannot find the confidence to kiss her (“Poor Joe”). Now 17, Joe is college-bound and hoping to become a doctor like his father. Just before he leaves, he listens to his parents from his bedroom, dreaming about what he’ll become and the girl he will marry (“A Fellow Needs A Girl”).

At college, Joe attends the Freshman Get Together dance in the gym (“Freshman Dance”). While others around him seem to thrive, Joe, in awe of college life on campus, remains a bit of a loner (“Darn Nice Campus”). At a pep rally, the students sing “The Football Song.” Joe embarrasses himself by noticeably falling behind on the customary call-and-response portion of the song (“Wildcats”) and leaves disgraced. Later that day, the freshman star of the varsity football team, Charlie Townsend, approaches Joe, noticing they share a lot of the same classes and are both on the pre-medical track. Charlie asks if he could borrow Joe’s notes and invites him to his fraternity house, leaving Joe elated.

Jennie reads a letter from Joe to her friend, Hazel (Reprise: “A Darn Nice Campus”). Jennie and her father, Ned Brinker, are both concerned over how long it’ll take Joe to become a doctor after school, and Hazel pities Jennie for courting a boy whose mother has such an influence on him.

As Charlie, now Joe’s roommate, makes his way out for a date, Joe declines to join so he may focus on homework. He thinks only of Jennie back home, the only girl he’s ever dated. Charlie leaves after telling Joe to leave the homework out for him to copy.

As time goes on at school, Joe balances Chemistry, English, Biology, Philosophy and Greek, all while maintaining letters from Jennie, who continues updating him on other couples their age who are already married and having children in their new homes. She goes to Europe with her father and meets a new man named Bertram. As their relationship progresses, Joe decides it’s time to “break loose” from Jennie and asks Charlie to set him up with his girlfriend’s sister, Beulah.

After a double date with Charlie and his girlfriend Molly, Joe and Beulah find themselves alone together. Beulah is charmed by Joe’s soft and romantic qualities, and the two get to know each other (“So Far”). When they start to kiss, Joe can’t stop thinking about Jennie. He eventually falls asleep in the middle of their date, offending Beulah.

The next day, Joe receives a letter from Jennie explaining that she’s through with Bertram and will be home in July waiting for Joe to return. Eager for the passing of May and June, Joe is determined to focus again on marrying Jennie. When they reunite, Joe confesses he’s never stopped thinking about her (“You Are Never Away”). But when Joe begins to talk about his passion for helping sick patients get better, Jennie seems disappointed by the prospect of waiting for Joe to become a doctor. Joe says they could marry before then, but Jennie mentions a high-paying job her father has at his growing coal and lumber business. Joe must make up his own mind (Reprise: “Poor Joe”).

Over lemonades, Mr. Brinker hints that Joe might have higher ambitions than supporting his father’s dream of running a small hospital. Marjorie and Jennie have conflicting views over what they want for Joe, leaving Marjorie thinking Jennie is the wrong girl for him. Then, Marjorie suffers a fatal heart attack. Despite both families disapproving, Joe and Jennie get married (“What A Lovely Day for a Wedding”), and the unhappy ghosts of Joe’s grandmother and mother bear witness (“Wish Them Well”).

Act II

In the Great Depression, Mr. Brinker’s business has failed, and he is living with Jennie and Joe, who makes a bare living as assistant to his father. Jennie is hanging their laundry, unhappy as a poverty-stricken housewife (“Money Isn’t Everything”). When she learns that Joe turned down a high-paying job as a partner to Charlie’s uncle, a successful Chicago physician named Bigby Denby, Jennie rages at him. Eventually changing her strategy, she convinces Joe to take the job under the notion that it could help pay for his father’s hospital and allow them raise a child (Reprise: “Poor Joe”).

Though sad to leave his father’s practice, Joe accepts the job working with Bigby Denby in Chicago. In planning his exit from the family business, Joe shares compassionate details for continuing care of his patients with his father. Just before Joe leaves, the voice of his mother tells him to stay if his heart is so heavy, and the voice of Charlie tells him people would think he’s nuts for not going. He explains to his father that he’s taking the job for Jennie, and leaves.

In Chicago, Joe finds himself catering to an unfamiliar class of cosmopolitan hypochondriacs (“Yatata, Yatata, Yatata”). Pressured to keep the practice’s high-earning client list happy, Joe must attend parties and participate in their social lives, which leaves less time for caring for the patients who actually might need it. In her new role as socialite wife, Jennie enjoys keeping Joe in line for all his engagements. Due to these distractions, Joe becomes careless, and his nurse, Emily, catches a significant mistake (“The Gentleman is a Dope”).

In a meeting, Dr. Denby congratulates Joe on the mark he’s made on the practice so far, both medically and socially. When an important hospital trustee, Mr. Lansdale, demands the quashing of a nurse’s labor protest, Denby instructs Emily to fire the oldest nurse who’s worked at the hospital for 30 years. Joe, Emily and Charlie commiserate with each other about the exhaustingly dizzy pace one must maintain to work among the Chicago metropolitan elite (“Allegro”).

Over time, Joe becomes increasingly disillusioned by his job in the big city and thinks often about his patients back home who, to him, are more worthy of a doctor’s time and knowledge. He learns Jennie is having an affair and realizes that he stopped loving her long ago, but was too distracted to see it. As Joe takes in this development, his mother and a chorus of his friends from home make an appeal for him to return (“Come Home”).

Joe is off to the position of Physician-in-Chief at the Chicago hospital, replacing Denby, who is being “kicked upstairs.” At the dedication of a new pavilion at the hospital, Joe publicly declines the position, deciding instead to return to his small hometown to work with his father. Accompanied by Emily and Charlie, Joe sets off, leaving Jennie in Chicago (Finale: “One Foot, Other Foot”).

PRINCIPALS
3 Women
4 Men

FEATURED
2 Women
2 Men

ENSEMBLE
Singing/dancing ensemble with several small roles

CHARACTERS
Marjorie Taylor
Dr. Joseph Taylor
Mayor
Grandma Taylor
Friends of Joey (2)
Jennie Brinker
Principal
Georgie
Hazel Skinner
Charlie Townsend
Joeseph Taylor, Jr.
Miss Lipscomb
Cheer Leaders
Coach
Ned Brinker
English Professor
Chemistry Professor
Bertram Woolhaven
Molly
Beulah
Minister
Millie
Dot
Addie
Dr. Bigby Denby
Mrs. Mulhouse
Mrs. Lansdale
Jarman, a butler
Maid
Emily West
Doorman
Brook Lansdale
Harry Buckley

In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.

In this show, the race of the characters is not pivotal to the plot. We encourage you to consider diversity and inclusion in your casting choices.

  • Time Period 1930s, 1920s, 1910s/WWI, 1900-1910
  • Setting A small town, a college town, and a large city, all in the same Midwestern state. 1905-1940.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“A timeless classic... both of and ahead of its time in every respect. An utterly charming and painfully honest musical theatre delight.” – Dom O'Hanlon, London Theatre

“A musical play of rare distinction... to be remembered with Show Boat and Oklahoma!... a consummate theatrical achievement and an electrifying entertainment...” – Howard Barnes, New York Herald Tribune, October 10, 1947

Allegro is a ‘modular’ musical, built from deceptively simple little blocks of thematic material that gain in power as they are repeated... the words are important. But it is the emotional strength of the music that gives these building blocks their greatest impact.” – New York Daily News, January 01, 1994

A musical for people who love musicals as well as people who don’t believe in musicals. A rare joy – not to be missed.” – Stephen Collins, Live Theatre UK, August 12, 2016

“Both a parable of its period, and revolutionary.” – Tim Hochstrasser, Plays To See, August 16, 2016

Videos

  • “Opening (Joseph Taylor, Junior)” from Rodgers and Hammerstein's Allegro youtube thumbnail

    “Opening (Joseph Taylor, Junior)” from Rodgers and Hammerstein's Allegro

  • Rodgers and Hammerstein's Allegro: Conversation and Performance youtube thumbnail

    Rodgers and Hammerstein's Allegro: Conversation and Performance

  • “So Far” from Rodgers and Hammerstein's Allegro youtube thumbnail

    “So Far” from Rodgers and Hammerstein's Allegro

  • “The Gentleman Is a Dope” from Rodgers and Hammerstein's Allegro youtube thumbnail

    “The Gentleman Is a Dope” from Rodgers and Hammerstein's Allegro

Photos

  • Rodgers & Hammerstein's Allegro

    Image: 2014 Classic Stage Company Production (Matthew Murphy for MurphyMade)

  • Rodgers & Hammerstein's Allegro

    Image: 2014 Classic Stage Company Production (Matthew Murphy for MurphyMade)

Music

Music Samples

Act I

Overture – Orchestra
1. Opening (“Joseph Taylor, Jr.”) – Ensemble
2. “I Know It Can Happen Again” – Grandma
3. “Pudgy Legs” – Ensemble
4. “One Foot, Other Foot” – Ensemble
5. “Children’s Dance” – Children and Grandma
5a. Grandmother’s Death – Orchestra
6. “Winters Go By” – Ensemble
7. “Poor Joe” – Ensemble
8. “Diploma” – Ensemble
9. “A Fellow Needs A Girl” – Dr. Taylor and Marjorie
10. Freshman Get-Together – Orchestra
11. Dream Sequence – Orchestra
12. Annabelle Solo – Orchestra
13. “End Of College Dance” – Joe and Ensemble
14. “Wildcats’’ – Joe and Ensemble
15. Change of Scene – Orchestra
15a. “Jennie Reads Letter” – Jennie
16. Change of Scene – Orchestra
17. “Scene of Professors (Rotunda)” – Ensemble
18. Change of Scene – Orchestra
19. “So Far” – Beulah
20. Change of Scene (“So Far”) – Orchestra
21. Change of Scene (“You Are Never Away”) – Orchestra
22. “You Are Never Away” – Joe and Ensemble
22a. “You Are Never Away” (Encore) – Joe and Ensemble
22b. Never Away Exit – Orchestra
23. “Poor Joe (Reprise)” – Ensemble
24. Marjorie’s Death – Orchestra
25. Incidental (Pantomime) – Orchestra
26. “What A Lovely Day For A Wedding” – Ned and Ensemble
26a. “It May Be A Good Idea” – Charlie
27. “Finale Act I” – Grandma and Ensemble

Act II

28. Entr’acte – Orchestra
29. Opening, Act II – Orchestra
30. “Money Isn’t Everything” – Millie, Dot, Addie, Hazel and Jennie
31. Dance (Money Isn’t Everything) – Orchestra
32. Change of Scene (Bedroom Scene) – Orchestra
33. “Poor Joe (Reprise)” – Ensemble
34. Change of Scene / “You Are Never Away (Reprise)” – Joe
35. Change of Scene – Orchestra
36. Incidental / “A Fellow Needs A Girl (Reprise)” – Marjorie
37. “Ya-ta-ta” – Charlie and Ensemble
37a. Change of Scene – Orchestra
38. “The Gentleman Is A Dope” – Emily
39. Change of Scene – Orchestra
40. “Allegro” – Charlie, Emily, Joe and Ensemble
41. Allegro Ballet – Orchestra
42. “Come Home” – Marjorie, Dr. Taylor and Ensemble
43. Change of Scene – Orchestra
44. Finale Ultimo (“Ya-Ta-Ta”/”One Foot, Other Foot”) – Company
45. Bows and Exit Music – Orchestra

Full Orchestration

Flute – doubling Piccolo
Oboe – doubling English Horn
Clarinet 1
Clarinet 2
Bassoon
Horn 1
Horn 2
Horn 3
Trumpet 1
Trumpet 2
Trumpet 3
Trombone 1
Trombone 2
Tuba
Percussion – Trap Set, 2 Timpani, Bells, Wood Block, Xylophone, Glockenspiel, Bicycle Bell, Champagne Cork Pop Gun & Triangle
Piano
Violin 1 (Divisi)
Violin 2 (Divisi)
Viola
Cello
Bass

String Synth – Optional part containing all of the Violin, Viola and Cello parts formatted into one keyboard part, intended to augment and enrich your string section.

In the original Broadway pit of ALLEGRO there were 7 Violins (divided between Violins A-C and Violins B-D), 3 Violas, 2 Cellos and 2 Bass.
  • Musical Style Classic Broadway, Operetta
  • Dance Requirements Moderate
  • Vocal DemandsModerate
  • Orchestra Size X-Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

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Full Setting:

Allegro takes place in a small town, a college town, and a large city, all in the same Midwestern state, between 1905 and 1940. The action follows Joseph Taylor Jr.'s life from birth through his thirty-fifth year. The original production had no stage 'sets' in the conventional sense, but backgrounds for the action were achieved by small scenic pieces on a moving stage, the use of light projections and drops.

SPECIFIC LOCATIONS
Marjorie's Bedroom
The Taylor's Porch
The College Gym
The Football Field
The Campus
Jennie's Garden
Joe's Study
A Classroom
A Woodland
Another Part of the Woodland
Outside the Church
Inside the Church
The Backyard of the Taylor Home
Joe and Jennie's Bedroom
Dr. Taylor's Office
Joe and Jennie's Apartment in Chicago
The Foyer of the Taylor Apartment
The Street Entrance to the Apartment Building
Dr. Denby's Private Office
Joe's Office
The Lobby of the New Private Pavilion

25 Vocal Books
1 Piano-Vocal
1 Flute
1 Oboe
1 Clarinet 1
1 Clarinet 2
1 Bassoon
1 Horn 1
1 Horn 2
1 Horn 3
1 Trumpet 1
1 Trumpet 2
1 Trumpet 3
1 Trombone 1
1 Trombone 2
1 Tuba
1 Percussion
1 Piano
2 Violin 1
2 Violin 2
2 Viola
1 Cello
1 Bass
1 Full Score - Act 1
1 Full Score - Act 2
1 Logo Pack
25 Vocal Books
1 Piano-Vocal
1 Logo Pack

Add-Ons

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Authors

Richard Rodgers

Richard Rodgers' contribution to the musical theatre of his day was extraordinary, and his influence on the musical theatre of today and tomorrow is legendary. His career spanned more than six decades, his hits ranging from the silver screens of Hollywood to the bright light ...

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Oscar Hammerstein II

Oscar Hammerstein II was born on July 12, 1895 in New York City. His father, William, was a theatre manager and for many years director of Hammerstein's Victoria, the most popular vaudeville theatre of its day. His uncle, Arthur Hammerstein, was a successful Broadway producer ...

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