A CONCORD THEATRICALS TITLE
The Cocoanuts
Full-Length Musical, Comedy / 3w, 7m
Music and Lyrics by Irving Berlin
Book by George S. Kaufman
At Cocoanut Manor, the service stinks but the gags are four-star in this Marx Brothers romp featuring an Irving Berlin score.
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Cast Size
3w, 7m -
Duration
More than 120 minutes (2 hours) -
Subgenre
Farce, Romantic Comedy -
Target Audience
Appropriate for All Audiences
Details
Summary
The “plot” is really more of a series of opportunities for the Marx Brothers to let loose their particular brand of insanity. But, for the record: in the midst of the Florida land boom, Mr. Schlemmer (Groucho) is trying desperately to run Cococanut Manor (“This is Cocoanut Manor, no snow, no ice. Well, get some onions, that’ll make your ice water.”) and put the moves on the wealthy Mrs. Potter. When Mrs. Potter’s necklace disappears, the suspects are drawn from Silent Sam (Harpo) and Willie (Chico), two vagabonds intent on stealing the hotel’s silverware, and a hotel clerk in love with Mrs. Potter’s daughter, Polly. More to the point, the show includes the classic “Why a Duck?” routine, and the classic auction scene.
History
The Cocoanuts opened on Broadway on December 8, 1925 at the Lyric Theatre, where it ran for 218 performances, produced by Sam H. Harris.
Cast Attributes
Keywords
Performing Groups
- Time Period 1920s
- Features Period Costumes
- Duration More than 120 minutes (2 hours)
- Cautions
- No Special Cautions
Media
“This happy confection offers not only the resurrection of Groucho, Chico and Harpo, but also the wit of George S. Kaufman and a score by Irving Berlin that includes the evergreen ‘Always.’” – The New York Times
“The Cocoanuts offers more than brilliantly calibrated chaos. Compared to Animal Crackers, this musical owes less to the rhythms of vaudeville and features kinder, gentler characters. The central Mr. Hammer (Groucho) is no famed hunter of wild game but the bummed owner of a “bum hotel.” His musical boast of sexual magnetism comes off as adorably impossible rather than grandiose, and his courtship of the amply proportioned Mrs. Potter is more playful than sardonic at her expense. The Cocoanuts finally evokes a youthful world of harmless mischief, where cleverness prevails over malice.” – Oregon Public Radio
“Full of snappy novelty numbers... everything works to do what old-fashioned musicals used to do – entertain.” – New York Daily News
Music
- Musical Style Classic Broadway, Jazz
- Dance Requirements Moderate
- Vocal DemandsModerate
- Orchestra Size Small/Combo
- Chorus Size Medium
Licensing & Materials
- Licensing fees and rental materials quoted upon application.
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