A CONCORD THEATRICALS TITLE

Bright Lights, Big City

Full-Length Musical, Drama  /  7w, 5m

Book, Music and Lyrics by Paul Scott Goodman

Based on the novel of the same name, this show follows Jamie, an aspiring writer stuck in fact-checking, as he hides from pain and loss by partying in the drug-infested clubs of Manhattan during the 1980s.

  • Cast Size
    Cast Size
    7w, 5m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptation (Literature)
  • Audience
    Target Audience
    Adult, Teen (Age 14-18)
Bright Lights, Big City

Details

Summary
Based on the novel of the same name, this show follows Jamie, an aspiring writer stuck in fact-checking, as he hides from pain and loss by partying in the drug-infested clubs of Manhattan during the 1980s. The rock-n-roll score provides a robust sound that echoes Jamie's inner torment as he wanders aimlessly through the city's seedy party scene. After losing his wife and job, Jamie spirals out of control. Fortunately for him, the bonds of family and the promise of love are strong enough to intervene and provide a way out. Bright Lights, Big City carries the message of hope for the future, no matter what is at present.
History

Bright Lights, Big City premiered off-Broadway at the New York Theatre Workshop on 24 February 1999. Directed and staged by Michael Greif, the production featured Patrick Wilson, Jerry Dixon, Napiera Daniele Groves, Annmarie Milazzo, John Link Graneyl and Natascia Diaz.

A Note from author Paul Scott Goodman
On a breezy beautiful August day way back in ’96, I stood upon the deck of a modern country house near Woodstock and banged out the opening riff of Bright Lights, Big City on my Ovation 12 string guitar. I came back to Manhattan and over the next few weeks welcomed many other songs, all directly inspired by the heightened poetry of Jay McInerney’s novel. As the tunes continued to tumble, I remember thinking, “This is very rock and roll.” So now, more than a decade later, I would like to say to whoever decides to present this piece of work: thank you for doing so, don’t change the words or the music, but in matters of acting, singing, lighting, staging, dance, tone, sound, bravado, feel free to be brave, to break barriers and attempt to give the audience something they’ve never seen before. Be fresh and inevitable. Rock and roll!

  • Time Period 1980s
  • Setting One week in New York City. 1984.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Alcohol
    • Drugs
    • Mild Adult Themes

Media

“Goodman's music is exhilarating; it convincingly evokes the sound of 1980s rock without resorting to parody, but does not sound dated. The arrangements shine.” – Talkin’ Broadway


”The show’s rock-music score is a tribute to what can be accomplished when one blends rock music and musical theatre, and is both fun and meaningful to listen to... for anyone interested in the progression of modern musical theatre.” – Michael Bihovsky, Review Stream

Music

Music Samples

  • Musical Style Contemporary Broadway
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Small/Combo
  • Chorus Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!

Add-Ons

Take a look below at how you can enhance your show!

Authors

Paul Scott Goodman

Paul Scott Goodman

Born and raised in Glasgow, Scotland, Paul Scott Goodman moved to NYC in 1984. He wrote the book, music, and lyrics for Bright Lights Big City, directed by Michael Greif, which was presented at the New York Theater Workshop, The Guggenheim Museum, the Prince Music Theater, Ph ...

View full profile

Now Playing

Related