Mama's Boy

MARGUERITE OSWALD – Mid-fifties, but looks older. She’s as gracious and loving as a grandmother, but also imperious, meddling and defensive. She demands attention, and must be “in charge.” She’s lonely, and craves family, but her behavior makes that difficult. She speaks with a New Orleans lilt. She wears cat eye glasses. 
MARINA OSWALD – Early twenties. A stranger in a strange land, her personality and confidence emerge gradually. She’s learned to rely on others to get what she wants, and craves material things. She can be fiery and opinionated, and her relationship with Lee is passionate and volatile. She speaks with a heavy Russian accent, which gradually softens. 
ROBERT OSWALD – Mid twenties. A Southern gentleman. He’s reticent, a hard worker, conservative and fair-minded. Long ago, he grew weary of his mother’s antics, and when the play begins, he can barely tolerate her, although as a Southern gentleman, he treats her kindly – as often as possible. Although he’s grown apart from Lee, he still has tender, kid brother feelings for him, and is protective of Marina. He speaks with a slight southern drawl. 
LEE HARVEY OSWALD – Early twenties. Not traditionally handsome like Robert. Lee is close to his mother, and shares many traits with her. He remains polite, even when she tests his patience. Lee is fond of his brother, but questions his values. He adores Marina, and wants to control the relationship, but Marina isn’t easily controlled. Lee is capable of rage, tenderness and vulnerability. He’s intelligent and secretive. He speaks with a slight southern accent.