Chicago: Teen Edition

A CONCORD THEATRICALS TITLE

Chicago: Teen Edition

Full-Length Musical, Dramatic Comedy  /  10w, 9m plus ensemble

Book by Fred Ebb and Bob Fosse
Music by John Kander
Lyrics by Fred Ebb

Based on the play by Maurine Dallas Watkins / Script adaptation by David Thompson

Adapted in collaboration with iTheatrics, Kander & Ebb's legendary and award-winning musical about fame, fortune and acquittal is now widely available to be performed by high schools around the world. Specifically designed to be content-appropriate and flexible, Chicago: Teen Edition has been adapted to remove overtly sexual references and adult language, and can be performed by larger and smaller casts. Delivered as a Show Pack, Chicago: Teen Edition suits all experience levels, includes handy tips and tricks for directing, and features a guide for students.

  • Cast Size
    Cast Size
    10w, 9m plus ensemble
  • Duration
    Duration
    90 minutes
  • Audience
    Target Audience
    Adult, Senior, Pre-Teen (Age 11-13), Teen (Age 14-18)
Accolades
Accolades
  • Nominee: Ten 1975 Tony® Awards, including Best Musical, Best Book and Best Original Score
    Winner! 1975 Drama Desk Award
    Winner! Six 1997 Tony® Awards, including Best Revival of a Musical
    Winner! Six 1997 Drama Desk Awards, including Outstanding Revival of a Musical
Chicago: Teen Edition
Also Available

Details

Summary
In “Roaring Twenties” Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband, Amos, to take the rap... until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess," Velma Kelly, vie for the spotlight and the headlines, ultimately joining forces in search of the "American Dream": fame, fortune, and acquittal.

Changes made for the Teen Edition

(1) Removal of adult language and overtly sexual references
(2) Removal of "Class" and "A Bit of Good"
(3) Transposed keys to better accommodate teen voices
History
Chicago first opened on Broadway at the 46th Street Theatre in New York City on June 3, 1975. The production, directed and choreographed by Bob Fosse, ran for 936 performances. On Nov 14, 1996, a revival of the show opened on Broadway at the Richard Rodgers Theatre. It latered transferred to Shubert Theatre, and then to the Ambassador Theatre, where, more than two decades later, it continues to run, logging nearly 10,000 performances.

In late 1920s Chicago, Illinois, jazz star VELMA KELLY sings and performs as a dramatic scene unfolds: ROXIE HART, a married woman, has come home with her boyfriend, FRED CASELY. Fred tries to end the affair, but Roxie becomes enraged, shooting him in cold blood ("All That Jazz").

Three hours later, Officer FOGARTY and the police arrive, and Roxie convinces her husband AMOS to lie and say that he killed the "burglar" - when really, he arrived home and heard the story from Roxie. She sings her husband's praises - until a policeman reveals the man's identity and Amos recognizes Fred Casely, the man who sold them their furniture, and certainly no burglar ("Funny Honey"). Amos realizes his wife lied to cover up her affair, and he turns against her. In a fit of rage, Roxie confesses to the affair and the murder. She is taken away by the police.

At the Cook County Jail, six "merry murderesses," including Velma, LIZ, ANNIE, JUNE, MONA, and HUNYAK - who insists she is not guilty - tell their bloody tales ("The Cell Block Tango"). Then, the Keeper of the Keys MATRON "MAMA" MORTON introduces herself, reminding the women that she's willing to do them favors if they do favors for her ("When You're Good to Mama"). As Mama introduces Roxie to her fellow prisoners, she asks about Roxie's defense for the trial. Roxie doesn't have one, so Mama suggests the best criminal lawyer in Chicago, BILLY FLYNN. After a bit of sweet-talking, Roxie convinces Amos to foot the lawyer's very expensive bill.

For his part, Billy insists that his motives are pure ("All I Care About"), yet when Amos meets with him it becomes clear that Billy intends to get every bit of money and publicity possible out of the case. Billy rewrites the story of Roxie's life, casting her as an innocent girl swept up by life in the big city. There is one pivotal point of the story that Billy drives home to reporters: Fred reached for the gun, and Roxie, in self-defense, did too ("We Both Reached for the Gun").

The REPORTERS love the story, including famed columnist MARY SUNSHINE, and Roxie is thrilled with her newfound fame ("Roxie"). Velma, realizing she is yesterday's news, desperately pitches an idea to Roxie: why don't the two of them do a double act when they get out? ("I Can't Do It Alone"). Roxie rejects the idea. When Billy drops Roxie for a hot new case - pineapple heiress KITTY, who killed her boyfriend HARRY and his girlfriend after finding them together - Roxie realizes that fame fades quickly. She and Velma lament their lost spotlight ("My Own Best Friend"). However, Roxie has a plan: she faints. When she "comes t," she informs Billy and the reporters that she is going to have a baby.

Reporters swarm Roxie as she thoroughly enjoys the frenzy her announcement has caused ("Me and My Baby"). Amos excitedly proclaims himself the father, but no one seems to notice. He sadly muses that no one ever seems to notice him ("Mister Cellophane").

Billy visits the jail to meet with Roxie, but runs into Velma, who is also his client. She tells Billy that she has been practicing what she will do for her trial, and she shows him her routine ("When Velma Takes the Stand"). Meanwhile, Roxie has been practicing her own trial routine, and she confesses to Billy that she is nervous. Billy advises her to "razzle dazzle" the courtroom ("Razzle Dazzle"). Roxie does just that, and the jury finds her not guilty.

The trial's conclusion leaves Roxie disappointed as the crowd rushes off to the next big scandal; she was hoping this would be her big break. However, she's quickly thrust back in the spotlight when she teams up with Velma, performing a new act that takes Chicago by storm ("Nowadays"). The two "scintillating sinners" become stars ("Finale").

VELMA KELLY: Female, 25-40 (Range: Alto, E3-D5)
Vaudville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder.

ROXIE HART: Female, 20-30 (Range: Mezzo-Soprano, F3-B4)
Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it.

FRED CASELY: Male, 30-50 (Range: Ensemble/Part Flexible)
Roxie’s short-lived lover. Murdered for trying to leave Roxie.

SERGEANT FOGARTY: Male, 35-55 (Range: Ensemble/Part Flexible)
Assigned to Roxie’s case. After asking the right questions, he manages to get Roxie to confess.

AMOS HART: Male, 30-50 (Range: Baritone, C3-F#4)
Roxie’s faithful husband. Lies for her and tries to take the blame until he realizes that he has been two-timed by Roxie. Still in love with her, or misguided, he believes anything she says in her pursuit to get out of jail.

LIZ: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head.

ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at the Cook County Jail. Murders her lover after finding out he already has six wives. “One of those Mormons, ya’ know.”

JUNE: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. After her husband accuses her of screwing the milkman, he mysteriously runs into her knife ten times.

HUNYAK: Female, 25-45 (Range: Non-Singing Role)
Hungarian Prisoner at Cook County Jail. The only English she speaks is the phrase, “Not Guilty.” Which follows her to her grave.

MONA: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. Murders her lover after he has a round of affairs with other women, and an occasional man. I guess you could say it was “artistic differences.”

MARTIN HARRISON: Male, 35-55 (Range: Ensemble/Part Flexible)
Ensemble member who doubles as the Master of Ceremonies at times.

MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4)
Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.”

BILLY FLYNN: Male, 35-50 (Range: Baritone Bb2-G4)
Established lawyer who hasn’t lost a woman’s case yet. Master of media manipulation who will get a girl off the hook as long as she can fork up the hefty $5,000 fee.

MARY SUNSHINE: Female, 25-55 (Range: Soprano, Bb3-Bb5)
Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs.

GO-TO-HELL-KITTY: Female, 21-40 (Range: Ensemble, A3-C#5)
Steals the spotlight when she Murders her husband along with three other women. Her crimes are labeled “Lake Shore Drive Massacre.”

HARRY: (Range: Ensemble/Part Flexible)
Murdered by Go-To-Hell Kitty for sleeping around with three women behind her back.

AARON: (Range: Ensemble/Part Flexible)
Court appointed lawyer for Hunyak. He tries to get her to confess to speed along the trial.

JUDGE: Male, 40-65 (Range: Ensemble/Part Flexible)
Judge overseeing Roxie’s Trial.

COURT CLERK: (Range: Ensemble/Part Flexible)
Swears people in with their hand on the bible. “Blah, Blah, Truth, Truth. Selp-you God.”

CHORUS (SATB) 
  • Time Period 1920s
  • Setting Chicago, Illinois. The late 1920s.
  • Features Period Costumes
  • Duration 90 minutes

Media

“Wildly entertaining... [with a] dazzling score.” – New York Daily News

“A pulse-racing revival that flies us right into musical heaven.” – The New York Times

“As dazzling a demonstration of the craft of musical theatre as you're ever going to see on a Broadway stage.” – The New York Post

ON BREAKING CHARACTER

Our Picks for The 2019/20 Season: K-12 Edition
Felicia Lucas
April 23, 2019

Videos

  • Chicago: All That Jazz (Official Video) youtube thumbnail

    Chicago: All That Jazz (Official Video)

  • Chicago on Broadway: Cell Block Tango youtube thumbnail

    Chicago on Broadway: Cell Block Tango

  • West End Live 2018: Chicago youtube thumbnail

    West End Live 2018: Chicago

  • Chicago: Kennedy Center Promo youtube thumbnail

    Chicago: Kennedy Center Promo

Music

Music Samples

Act I

1. Overture - Orchestra
2. "And All That Jazz" - Velma & Company
3. "Funny Honey" - Roxie & Ensemble
4. "Cell Block Tango" - The Merry Murderesses & Female Ensemble
5. "When You’re Good to Mama" - Matron Mama Morton
6. Tap Dance - Orchestra
7. "All I Care About is Love" - Billy & Ensemble
8. $5,000 Cue - Orchestra
9. Mary Sunshine - Orchestra
10. Roxie’s Story - Orchestra
11. "We Both Reached For the Gun" - Billy, Roxie, Mary Sunshine & Company
12. 1st Newspaper Headlines - Orchestra
13. "Roxie" - Roxie & Ensemble
14. 2nd Newspaper Headlines - Orchestra
15. "I Can’t Do It Alone" - Velma
16. "I Can’t Do It Alone" Tag - Velma
17. Chicago After Midnight - Orchestra
18. 3rd Newspaper Headlines - Orchestra
19. "My Own Best Friend" - Roxie, Velma & Ensemble
20. First Act Curtain - Velma & Ensemble

Act II

21. "I Know a Girl" - Velma
22. "Me and My Baby" - Roxie & Ensemble
23. "Mister Cellophane" - Amos
24. "When Velma Takes the Stand" - Velma & Ensemble
25. "Velma Takes the Stand" Exit - Ensemble
26. Hungarian Hanging - Orchestra
27. "Razzle Dazzle" - Billy & Ensemble
28. Courtroom Scene - Company
29. NBC Chimes - Orchestra
30. Billy’s Speech - Orchestra
31. The Verdict - Orchestra
32. "Nowadays" - Roxie & Velma
33. Hot Honey Rag - Orchestra
34. "Finale: And All That Jazz" - Ensemble
35. Bows - Orchestra
36. Exit Music - Orchestra

  • Musical Style Classic Broadway, Jazz
  • Vocal DemandsEasy
  • Orchestra Size Large
  • Chorus Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.
    PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want.

    Chicago is a premier, high royalty title that requires further information to license. Following your application, your licensing representative will be in contact with you directly to determine pricing. Call or email your representative with any questions.

    Note that high school and youth organisations may not produce the standard version of CHICAGO, and must apply for CHICAGO: TEEN EDITION.

    We will not be able to refund rental or shipping fees if you pay for the wrong version.

    If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

    CHICAGO
    Performance rights for this version are currently withdrawn in the UK and Ireland. To be advised as soon as they become available, please submit a licence application.

    CHICAGO: TEEN EDITION

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25   Student Book
1   Piano-Conductor (rehearsal & stick conductor)
1   Production Guide

1   Reed 1 – Piccolo, Clarinet, Soprano & Alto Saxophones
1   Reed 2 – Piccolo, Clarinet, Soprano & Tenor Saxophones
1   Reed 3 – Clarinet, Bass Clarinet, Soprano, Tenor & Baritone Saxophones
2   Trumpets 1&2
1   Trombone 1
1   Trombone 2
1   Tuba/Bass
1   Drums – Snare Drum, 3 Toms [High, Med., Low-Floor], Bass Drum, Crash Cymbal, Ride Cymbal, Splash Cymbal, Hi Hats, Xylophone [2 notes: F & G], Orchestra Bells or Glockenspiel, NBC Chimes [quasi Vibraphone], Temple Blocks, Cow Bell, Triangle, Tambourine, Castanet Machine, Wood Block, Ratchet, Pop Gun, Siren Whistle [Acme], Slide Whistle, Bike Horn, Clank [Metallic]
1   Banjo
1   Keyboard 1 – Piano
1   Keyboard 2 – Piano & Accordion
1   Violin (1 player)

Digital Download:
Performance Tracks – from Right on Cue Services
Guide Vocal Tracks 
Choreography Videos
Digital Resources

Add-Ons

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Authors

Fred Ebb

Fred Ebb (1933–2004) was an award-winning lyricist, librettist and director who frequently and successfully collaborated with composer John Kander. Ebb's work for the theatre included Flora, The Red Menace; Cabaret; The Happy Time; Zorba; 70, Girls, 70; Chicago; The Act; Woma ...

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John Kander

John Kander is a Tony, Emmy and Grammy-winning composer, a recipient of the Kennedy Center Honors Award, and a member of the American Theatre Hall of Fame. With frequent collaborator Fred Ebb, he composed the score to dozens of Broadway musicals, including Cabaret, Zorba, Chi ...

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Author

Maurine Dallas Watkins

Bob Fosse

Robert Louis Fosse was born in Chicago, Illinois on June 23, 1927. Fosse took an early interest in dance, displaying unusual skill. His parents supported his interest, enrolling him in formal dance training. By his early teens, Fosse was dancing professionally in local nightc ...

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