Anything Goes: Youth Edition

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Anything Goes: Youth Edition

Short Musical, Comedy  /  3w, 4m

Music and Lyrics by Cole Porter
Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse
New Book by Timothy Crouse & John Weidman

A one-hour adaptation of the hilarious shipboard rcomedy, specially tailored for elementary and middle school-aged actors.

Image: Artwork ©2019 by Subplot Studio

Anything Goes: Youth Edition

  • Cast Size
    Cast Size
    3w, 4m
  • Duration
    Duration
    60 minutes (1 hour)
  • SubGenre
    Subgenre
    Farce, Period, Romantic Comedy
  • Audience
    Target Audience
    Appropriate for All Audiences
Accolades
Accolades
  • Winner! Three 1988 Tony Awards, including Best Revival
    Winner! Three 1988 Drama Desk Awards, including Outstanding Revival
    Winner! Three 2011 Tony Awards, including Best Musical Revival
    Winner! Five 2011 Drama Desk Awards, including Best Revival

Details

Summary

Anything Goes: Youth Edition is a one-hour adaptation of Anything Goes, specially tailored for elementary and middle school-aged actors. The materials have been prepared to help your school or organization mount the best possible production and to give your young cast and crew an exciting and rewarding experience.

Professional Artwork Available for Your Production of Anything Goes: Youth Edition!
Concord Theatricals has collaborated with Subplot Studio to create high-quality artwork that complies with your license. Promoting your show has never been easier! Learn more at Subplot Studio.

Anything Goes is a wacky shipboard farce featuring romance, intrigue, colorful characters and a glorious score from Cole Porter. Highlights include: "You’re The Top," "It’s De-Lovely," "Friendship," "I Get A Kick Out Of You," "Blow, Gabriel, Blow," and the title number.

History

Anything Goes premiered on Broadway on November 21, 1934 at the Alvin Theatre, where it ran for 420 performances, becoming the fourth longest-running musical of the 1930s. A revised version of the show opened Off-Broadway at the Orpheum Theatre on May 15, 1962, starring Eileen Rodgers as Reno Sweeney and Hal Linden as Billy Crocker. In 1987, Lincoln Center Theater produced an updated version of the show. Opening at Broadway's Vivan Beaumont Theater on October 19, 1987, the show starred Patti LuPone, Howard McGillin and Bill McCutcheon, won the Tony Award for Best Revival, and played for 784 performances.

In 2011, the Beaumont version was revived at the Stephen Sondheim Theatre on Broadway, starring Sutton Foster and Joel Grey. Once again, Anything Goes won the Tony for Best Musical Revival, and the production ran for 521 performances.

Keywords

At a club in Manhattan, ELISHA J. WHITNEY is waiting impatiently for his assistant to arrive with all his travel materials for Whitney to sail to England the next morning. BILLY CROCKER finally shows up—half an hour late—but he’s forgotten Whitney’s passport, which he promises to deliver first thing in the morning. Conspiratorially, as two SAILORS dine in the background with BETTY and ESTELLE, Whitney orders Billy to go to Wall Street in the morning and sell all the firm’s shares of Amalgamated Prestoleum. Billy is shocked, but Whitney assures him he’s had a hot tip that shares of Amalgamated are going downhill fast. Just as Billy is checking his messages with CASEY, the host, RENO SWEENEY enters the club looking for Billy—in the hubbub of his errand running for Whitney, Billy completely forgot about his date with Reno. Despite his faux pas, she invites him to sail to London with her in the morning ("I Get A Kick Out Of You"). Billy confesses to Reno that he’s fallen in love with a fantastic girl, and he needs to stay in New York to win her over. Reno is furious—she thought she was the one Billy wanted to marry. She storms off as the SAILOR 1 and SAILOR 2 confess to Betty and Estelle that they’re leaving in the morning ("There’s No Cure Like Travel").

On the deck of the S.S. American, the CAPTAIN, PURSER and DESK STEWARDESS are dealing with a crisis: Charlie Chaplin has cancelled his berth and chosen to sail with the Mauretania instead. They frantically scour the guest list for another celebrity as the REPORTERS and PHOTOGRAPHERS complain. The MINISTER and converts SPIT and DIPPY arrive on the ship, closely followed by Reno and her ANGELS. The Reporters and Photographers are excited by the arrival of debutante HOPE HARCOURT, English gentleman LORD EVELYN OAKLEIGH and Hope’s mother, MRS. HARCOURT, who announces that Hope and Evelyn are to be married on the ship. As they board the ship, they encounter Whitney and Billy, who is shocked to learn of Hope’s engagement. Whitney leads the party off to celebrate, reminding Billy to go to Wall Street and sell the Amalgamated shares. Before he can exit, two FBI AGENTS stop him, asking if he’s seen a gangster dressed up as a minister. Billy points them toward the Minister while MOONFACE MARTIN, who is wearing a minister’s robe, and ERMA sneak aboard. They are on the lookout for Snake Eyes Johnson, a member of their gang and Public Enemy Number One. Immediately, they encounter the real Minister, who the FBI Agents mistake for Moonface because Billy points him out. As a reward, Moonface gives Snake Eyes’ passport to Billy so he can stay on the ship as Murray Hill Flowers. The Purser gives the final call: “All ashore that’s going ashore!” ("Bon Voyage").

That evening, Reno spots Billy on deck. He confesses to her that he’s in love with Hope Harcourt, but she’s out of his league. Reno tries to bolster his confidence ("You’re the Top"). Billy encounters Hope, who informs him that no matter what feelings are between them, she must marry Evelyn. In Moonface’s cabin, the Captain informs them that Murray Hill Flowers is actually Snake Eyes Johnson, still thinking that Moonface is a real minister. Moonface confesses to Billy that he is actually Public Enemy Number Thirteen—not a minister at all. Billy determines that he needs a disguise, and Erma sets out to get him a sailor suit. Later, on deck, a group of sailors and FEMALE PASSENGERS sing together ("There’ll Always Be a Lady Fair"). Billy again tries to speak with Hope, but he is disguised as a sailor and gets pulled into a manhunt—for himself, since they think he is Snake Eyes Johnson. Reno recognizes Moonface Martin, and they team up in an effort to break Evelyn and Hope’s engagement ("Friendship"). While Mrs. Harcourt is frantically looking for her dog, Cheeky, Billy and Moonface enter in disguise and tell her that Lord Evelyn Oakleigh is an escapee from Bedlam who marries women and then murders them. Mrs. Harcourt faints as Evelyn arrives on the scene, and Hope exposes Billy’s disguise. Reno encourages Hope to accept her true feelings as Billy re-enters disguised as an old lady ("It’s De-Lovely"). Just as Billy asks Hope to choose between Evelyn and him, the Captain and Deck Stewardess apprehend him, thinking he is Snake Eyes Johnson ("Anything Goes"). They are thrilled to have solved their celebrity problem, and Billy is named the honorary captain of the S.S. American ("Public Enemy Number One").

Reno informs Billy that Hope wants to marry him just as the Angels and she head onstage for their next number ("Blow, Gabriel, Blow"). After the performance, Evelyn confesses his love to Reno, and Billy publicly confesses his love for Hope—at the same time outing himself as a phony gangster. Billy and Moonface are thrown into the brig ("Be Like The Bluebird"). Erma delivers a note from Hope to Billy—she loves him but thinks there is no hope for them ("All Through The Night"). Spit and Dippy are locked up in the brig as well, and Reno confesses to Billy that she and Evelyn are in love with each other. To confuse everyone, Billy and Moonface change clothes with Spit and Dippy, and they rush to stop the wedding. Billy claims that Evelyn owes a debt of honor to a young actress, who is really Reno in disguise. Billy gets to marry Hope, Reno gets to marry Evelyn, Whitney steps in to marry Mrs. Harcourt and at the last moment, an urgent cable comes through from New York informing Whitney that Amalgamated shares—the same ones Billy never sold off—have gone through the roof! The Captain marries all the couples, and all is well ("Finale").

ELISHA J. WHITNEY is a rich businessman with expensive taste. He is demanding, straightforward, and knows what he wants. Cast a strong young character actor who can convey status.

CASEY is the owner of the bar in Manhattan who attends to Whitney while he waits for Billy. This is a fun cameo role for a young performer with little experience.

BILLY CROCKER is the show’s leading young man with stars in his eyes and a sweet, earnest disposition. He is Whitney’s assistant and gets in a ton of trouble in pursuit of love. Cast a fantastic singer and actor who can win the hearts of audiences with just one smile.

RENO SWEENEY is the show’s leading lady. She is foremost an entertainer and can command attention just by walking through the door. Reno enjoys the spotlight and easily makes friends with everyone she meets. Cast a performer who is a great singer, actor, and dancer and has a ton of charisma.

BETTY and ESTELLE are young women saying goodbye to their sailors heading off to sea. Cast two young ladies with strong voices who can express their disgust without coming off as mean.

The SAILORS (including SAILOR 1 and SAILOR 2) are possibly the most recognizable characters from the entire show. They provide support and life for the world of the show. Cast a group of exuberant young performers who can sing and dance well.

The CAPTAIN is a man of authority, but he is a bit more concerned with making sure the ship has a celebrity aboard than the voyage itself. A young actor with a commanding presence will do the trick for this non-singing role.

The PURSER and the DECK STEWARDESS are essentially the Captain’s right and left hands. Cast a pair of young performers who can convey a sense of urgency and authority as they deal with each new situation onboard. These are great non-singing roles for students who can comfortably sustain characters for the length of the show.

The MINISTER, or Henry T. Dobson, is a pious, religious man traveling with his most recent converts. This performer should display a sense of calm and authority without effort.

SPIT and DIPPY are two rascally New York City street toughs with a talent for gambling and picking pockets. Cast a pair of strong comic actors with good chemistry.

Reno’s four ANGELS are a pack of ladies with the vocal and dance stylings to back up Reno. Entertainers by profession, the Angels are filled to the brim with talent, sass, and charisma. Cast your strongest singers and dancers in these great featured roles.

MRS. EVANGELINE HARCOURT is Hope’s overbearing mother who truly wants the best for her daughter and herself, and she will go to whatever lengths necessary to make sure she doesn’t end up poor. This comedic, non-singing role is perfect for a performer with the ability to develop a broad character both in voice and physicality.

HOPE HARCOURT is the perfect mixture of poise and properness befitting her upper class status. While she does care about her place in society, love is what motivates her in the long run. Your performer should be a great singer and actor as well as the perfect companion to Billy.

LORD EVELYN OAKLEIGH is a British gentleman betrothed to Hope Harcourt. He is personable and enjoys meeting other people and learning about their lives. He may come off a bit stiff, but underneath this proper exterior is a generous man looking for excitement. This non-singing role is best suited for a great comedic actor.

MOONFACE MARTIN is a gangster who is on the run (as usual). Moonface may not be the smartest person in the world, but when he commits to an idea, he sticks to it. Cast one of your strongest actors who’s able to portray a fun-loving sense of trickery, is a solid singer, and who isn’t afraid to make big – and sometimes silly – choices.

ERMA is Moonface Martin’s partner in crime. Erma is certainly not intimidated by Moonface’s gangster reputation. This non-singing role is perfect for a young actress with a big personality who can hold her own opposite Moonface.

The ENSEMBLE is stocked full of vivid characters, including featured PASSENGERS, REPORTERS, PHOTOGRAPHERS, FBI AGENT 1 and FBI AGENT 2, an ANNOUNCER, an OLD LADY, and a COOK that help create the greater world of the ship and the play.

  • Time Period 1930s
  • Setting The S. S. American, a luxury liner sailing from New York to London, 1934.
  • Features Period Costumes
  • Additional Features No Intermission
  • Duration 60 minutes (1 hour)
  • Cautions
    • No Special Cautions

Media

“If you’re looking for sheer escape, this is your ticket!” – Nelson Pressley, The Washington Post

“Reno Sweeney may get no kick from champagne, but the audience can't be blamed for drinking it all up.” – Frank Rich, The New York Times

“The score to the shenanigans-at-high-seas story includes a bevy of old-school delights, including the messianic barn-burner 'Blow, Gabriel, Blow,' the whimsically romantic 'It's De-lovely' and the unstoppable title tune.” – Catey Sullivan, Chicago Tribune

Anything Goes exists to put a daffy grin on your face... if you’re looking for sheer escape, this is your ticket!” – Nelson Pressley, The Washington Post

“Cole Porter songs and tap-dancing sailors? What’s not to love?... The show is so packed with daffy physical shtick, comical dialogue and those still dazzlingly clever Cole Porter lyrics that it’s impossible not to surrender.” – David Rooney, The Hollywood Reporter

Anything Goes is Cole Porter at his best.” – Susan Brall, DC Metro Arts

Videos

  • Anything Goes - 65th Annual Tony Awards youtube thumbnail

    Anything Goes - 65th Annual Tony Awards

  • Anything Goes - Sizzle Reel youtube thumbnail

    Anything Goes - Sizzle Reel

  • Anything Goes - Highlights youtube thumbnail

    Anything Goes - Highlights

  • Anything Goes - 1988 Tony Awards youtube thumbnail

    Anything Goes - 1988 Tony Awards

  • "Blow, Gabriel, Blow" on Letterman youtube thumbnail

    "Blow, Gabriel, Blow" on Letterman

  • "You're The Top" - Rosie Show youtube thumbnail

    "You're The Top" - Rosie Show

Show more +

Music

Music Samples

1. Overture – Orchestra
2. Underscore: All Through The Night – Orchestra
3. “I Get A Kick Out Of You” – Reno
4. “There’s No Cure Like Travel” – Betty, Estelle, Captain, Sailors, & Passengers
5. Boat Whistle 1 – Orchestra
6. Boat Whistle 2 – Orchestra
7. “Bon Voyage” – Chorus
8. Playoff: Bon Voyage – Orchestra
9. “You’re The Top” – Reno & Billy
10. Playoff: You’re The Top – Orchestra
11. Scene Change – Orchestra
12. “There’ll Always Be A Lady Fair” – Sailors & Female Passengers
13. Playoff: There’ll Always Be A Lady Fair – Orchestra
14. “Friendship” – Moon & Reno
15. Playoff: Friendship – Orchestra
16. “It’s De-lovely” – Billy & Hope
17. “Anything Goes” – Reno & Angels
18. “Public Enemy Number One” – Chorus
19. Playoff: Public Enemy Number One – Orchestra
20. Gabriel Entrance – Orchestra
21. “Blow, Gabriel, Blow” – Reno, Angels, & Chorus
22. Playoff: Blow, Gabriel, Blow – Orchestra
23. “Be Like The Bluebird” – Moon
24. “All Through The Night” – Billy, Hope, & Passengers
25. Wedding March – Orchestra
26. Little Plum Blossom – Orchestra
27. Finale – All
28. Bows – Orchestra
29. Exit Music – Orchestra
  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsModerate
  • Chorus Size Large

Licensing & Materials

  • PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

    Both ANYTHING GOES (2022 REVISION) and ANYTHING GOES (1962) have multiple orchestra package options. These orchestrations are significantly different, so please choose carefully.

    If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

    ANYTHING GOES (1962)

    ANYTHING GOES (2022 REVISION)

    ANYTHING GOES: YOUTH EDITION

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!

1 Director’s Production Guide
1 Piano-Vocal
30 Youth Edition Books
1 Digital resource download, consisting of:

  • Sing-Along Tracks to help your cast learn the songs.
  • Performance Tracks with orchestral accompaniment for your production.
  • Choreography Videos containing simple, effective dance steps and staging ideas for selected songs.

Note: Anything Goes: Youth Edition is presented with the fully orchestrated Performance Tracks; there is no orchestration for live accompaniment.

Notwithstanding the Rental Material return instructions set forth in your licensing agreement, you do not need to return your Rental Materials for this title.

Add-Ons

Take a look below at how you can enhance your show!

Authors

Cole Porter

Cole Porter was born in Peru, Indiana in 1891 and died in Hollywood 73 years later. In between, he wrote some of the most memorable songs ever heard on stage or screen, among them “Night and Day,” “Begin the Beguine,” “You’re The Top,” “I Get a Kick Out of You,” “Love For Sal ...

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P.G. Wodehouse

P.G. Wodehouse (1881-1975) and Guy Bolton (1884-1979) were both born in England. They were introduced by Jerome Kern, and he suggested they all work together. They did, tirelessly, and in the beginning of their collaboration wrote nearly one show per month: the famed Princess ...

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Guy Bolton

Guy Bolton (1884-1979) was born in Broxbourne, Hertfordshire, England, on November 23, 1884. Bolton famously collaborated with Jerome Kern and P.G. Wodehouse on a series of buoyant musicals for the 299-seat Princess Theatre, including Have A Heart; Oh, Boy!; Leave It To Jane; ...

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Howard Lindsay

Howard Lindsay (1889-1968) was an actor, stage manager, director and playwright before teaming up with Russel Crouse. Lindsay and Crouse's partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men f ...

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Russel Crouse

Russel Crouse (1893-1966) was a newspaperman, a press agent for the Theatre Guild, the author of several books and a librettist before partnering with Howard Lindsay. Lindsay and Crouse's partnership stands today as the longest collaboration of any writers in theatrical histo ...

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Timothy Crouse

Timothy Crouse has been a contributing editor of Rolling Stone and The Village Voice, as well as the Washington columnist for Esquire, writing numerous articles for these other publications, including the New Yorker. He is the author of The Boys on the Bus, a classic account ...

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John Weidman

John Weidman wrote the book for Pacific Overtures (Tony nominations, Best Book and Musical), score by Stephen Sondheim, produced and directed by Harold Prince. He co-authored the Tony Award-winning 1987 revival of Cole Porter's Anything Goes and wrote the book for Assassins, ...

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