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Du Barry Was A Lady

Full-Length Musical, Comedy  /  3w, 4m plus ensemble

Music and Lyrics by Cole Porter
Book by Herbert Fields and B.G. DeSylva

This wacky Cole Porter musical features Louie, a washroom attendant who dreams that he is King Louis XV of France and that his secret love, May, is Madame Du Barry.

  • Cast Size
    Cast Size
    3w, 4m plus ensemble
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Fantasy, Romantic Comedy
  • Audience
    Target Audience
    Adult, Teen (Age 14-18)
Du Barry Was A Lady

Details

Summary
Louie Blore, attendant in the men's washroom of the Club Petite in New York, wins $75,000 in the Irish sweeps. Having long had his eye on the star of the floor show, May Daly, Louie seeks to win her away from Alex Barton, the young man to whom she is engaged. He tries to put Alex away with knock-out drops, but mixes up the glasses and drinks the potion himself. During his delirium, Louie dreams that he is Louis XIV and that May Daly is Du Barry, his mistress. His unsuccessful pursuit of May continues through the gardens and boudoirs of 18th-century Versailles. When he awakens, Louie realizes that he has no chance with May and will have to settle for her friendship.
History
Du Barry Was A Lady opened on Broadway at the 46th Street Theatre on 6 December, 1939, starring Ethel Merman, Bert Lahr and Betty Grable. The show later moved to the Royale Theatre and ran for a total of 408 performances. In London’s West End, the show played for 178 performances at His Majesty’s Theatre.

It is the late 1930s. Louie Blore, the latest winner of the Irish Sweepstakes, is the center of attention as he returns to the Club Petite, where the former bathroom attendant is suddenly the most popular man in town; everyone wants a piece of Louie’s prize money. Reminded of an old promise, he gives some to his friends Harry and Alice, a dance team. Vi, a co-worker who repeatedly turned him down in the past, is now trying to convince Louie that she is the one for him. But he wants to marry May Daly, the club’s featured singer.

May is stunned by Louie’s sudden proclamation of love, and she turns him down. Her old flame Alex (Alice’s brother) has returned to town, and they’re going out that night to another club. Alice refuses to help Louie by telling her brother to “lay off” May. Charley, a reform schooler whom Louie is training to replace him at the club, suggests knocking out Alex with a Mickey Finn so that he’ll miss his date with May. When Louie gets Alex to agree to a drink with him, he spikes one of the glasses. Along the way, he forgets which glass is which. Louie ends up drinking from the wrong glass, knocking himself out.

Louie dreams, influenced by a movie about Du Barry he had seen earlier in the day. In his fantasy, May is Comtesse Du Barry, and he is King Louis XV of France. Others from the Club Petite are also present, including his rival, Alex. His court is populated by a throng of courtiers, noble ladies and gentlemen, servants and guards, but he is interested only in the attention of Du Barry, his “mistress in name only.” Though he is the richest and most powerful man in the land, he experiences only frustration and misery because Du Barry keeps him at arm’s length.

Alexandre is captured and on trial for his life because he wrote a popular song critical of Du Barry and, by extension, the King. However, a brief encounter between Du Barry and Alexandre before the trial reveals his motivation for his hostility towards her: he is madly in love with her. She is attracted to him as well, and she lets him escape. Du Barry’s bed chamber becomes Grand Central Station as all the principals converge there.

Du Barry helps in Alexandre’s defense at his trial. Du Barry convinces Louis that the accused actually likes him, and the King, in his delight, offers Alexandre a job as Poet Laureate. Alexandre repudiates Du Barry’s defense and quickly escapes.

The next night, Alexandre wants to see Du Barry again. Alisande [Alice], a Marquise and Du Barry’s confidante, assists the lovers while her own suitor, the Captain of the Guard [Harry], is on the lookout for the escapee. Du Barry trades her watch to the infantile Dauphin [Charley] for a Royal Pass, which Alisande gives to her brother Alexandre.

The capture of Alexandre gives Louis a golden opportunity: after Du Barry begs Louis to spare Alexandre’s life, he agrees in exchange for a long-overdue night with her. However, his “heir to the throne” accidentally wounds him with an arrow, and the King is left unfulfilled, humiliated and in considerable pain.

Awakened from his dream, Louie now realizes May should be with Alex, and he gives them the money they need to be together. The tax man shows up to inform Louie of the government’s share. All in all, he is now penniless as before. He reclaims his old job, ending no better off than when he began.

Principals
Louie Blore / His Most Royal Majesty, The King of France
May Daly / Mme. La Comtesse du Barry
Charley / His Royal Highness, The Dauphin of France
Alice Barton / Mme. La Marquisse Alisande de Vernay
Alex Barton / Alexandre
Harry Norton / Captain of King’s Guard
Vi Hennessey / Mme. La Duchesse de Villardel

Supporting Roles
Ann Todd, Starlet of the Club Petite / Mme. La Duchesse de Grammont
Mary Gray, Starlet of the Club Petite / Mme. La Vicomtesse de Roquefort
Molly Wincor, Starlet of the Club Petite / Mme. La Marquise du Pont L'Eveque
Peggy Brown, Starlet of the Club Petite / La Baronne de Brie
Ruth Frederick, Starlet of the Club Petite / Mme. Le Princesse Gruyere
Sigana Sigan, Starlet of the Club Petite / Mme. La Comtesse de Camembert
Mme. La Duchesse du Coeur Flottant, Dames de la Cour
Bill Kelly / Docteur Michel
Florian / Zamore
Jones / Le Duc de Choiseul
Cosette
Gateman
Henri
Manuel Gomez
Pierre
Radio Announcer
Rene

Ensemble
Internationals, dancers, courtiers, nobles, servants and guards

  • Time Period 1930s, 18th Century
  • Setting New York City, 1939, and Versailles, France, early 18th century.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“A silly frolic... an infectiously good time.” – The New York Times
“A last, giggling gasp of burlesque-style hedonism on Broadway... [with] vaudeville shtick, cheesecake chorines, songs tailored to its stars and innuendoes to burn.” – The New York Times

Music

Act I

1. Overture – Orchestra
2. “Where’s Louis?” – Chorus
3. “Ev’ry Day a Holiday” – Harry, Alice & Chorus
3a. Dance: Holiday – Orchestra
3b. Louis’ Entrance – Orchestra
4. “It Ain’t Etiquette” – Louie & Vi
4a. May’s Entrance – Orchestra
5. “When Love Beckoned” – May
5a. Encore: “When Love Beckoned” – May & Chorus
5b. Incidental: Come On In – Orchestra
6. “Come On In” – May & Starlets
6a. Dance: Come On In – Orchestra
6b. Scene Change: Come On In – Orchestra
7. “Dream Song” – Quartet
8. Mesdames et Messieurs – Orchestra
9. Gavotte – Orchestra
9a. Entrance of Du Barry – Orchestra
10. Entrance of King Louis – Orchestra
11. “But in The Morning, No” – Louis & Du Barry
11a. Encore: “But In The Morning, No” – Louis & Du Barry
12. “Do I Love You” – Alexandre & Du Barry
13. Reprise: “Do I Love You” – Du Barry
14. Dance Victoire – Orchestra
14a. Scene Change: Written – Orchestra
15. Dance Erotique – Orchestra
16. Finale Act I: “Du Barry Was a Lady” – Du Barry, Alexandre, Louis & Ensemble

Act II

17. Dance Tzigane – Orchestra
18. “Give Him the Oo-La-La” – Du Barry
19. “Well, Did You Evah!” – Captain & Alisande
19a. Well, Did You Evah – Orchestra
19b. Scene Change: Arrow Shooting – Orchestra
20. “It Was Written in the Stars” – Alexandre & Quartet
20a. Entrance: Dauphin & Zamore – Orchestra
21. Dance: L’apres midi d’un boeuf – Orchestra
22. “Katie Went To Haiti” – May
23. “Friendship” – Louie & May
23a. Encore: “Friendship” – Louie & May
24. Finale Act II: “When Love Beckoned / Do I Love You?” – Company
25. Bows – Orchestra

Full Orchestration

Violin A
Violin B
Violin C
Viola
Cello
Bass

Reed 1: Piccolo, Flute, Clarinet & Alto Saxophone
Reed 2: Clarinet, Alto Saxophone & Baritone Saxophone
Reed 3: Oboe (or Cl.), Clarinet, Bass Clarinet & Tenor Saxophone
Reed 4: Flute, Clarinet, Bass Clarinet (or Bsn.), Bassoon & Tenor Saxophone
Oboe & English Horn

Horn
Trumpet 1
Trumpet 2
Trumpet 3
Trombone (tenor)

Percussion:

Timpani (2 drums)
Snare Drum
Bass Drum
Oriental Drum
Military Drum
Tom-toms
Gran Cassa
Temple Blocks
Tambourine
Maracas
Wood Block
Marimba
Song Bells (low Bells) or Vibes
Xylophone
Vibraphone
Cymbals
Hi-Hat Cymbals
Gong
Triangle
Cuckoo (SFX)

Harp
Piano & Celeste

  • Musical Style Classic Broadway
  • Dance Requirements Moderate
  • Vocal DemandsDifficult
  • Orchestra Size Large
  • Chorus Size Large

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
1 Piano-Conductor
33 Libretto-Vocal
1 Reed 1
1 Reed 2
1 Reed 3
1 Reed 4
1 Oboe & English Horn
1 Horn
1 Trumpet 1
1 Trumpet 2
1 Trumpet 3
1 Trombone
2 Percussion
1 Harp
1 Piano & Celeste
1 Violin A
1 Violin B
1 Violin C
1 Viola
1 Cello
1 Bass
1 Piano-Conductor
33 Libretto-Vocal

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Authors

Cole Porter

Cole Porter was born in Peru, Indiana in 1891 and died in Hollywood 73 years later. In between, he wrote some of the most memorable songs ever heard on stage or screen, among them “Night and Day,” “Begin the Beguine,” “You’re The Top,” “I Get a Kick Out of You,” “Love For Sal ...

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Herbert Fields

Herbert Fields (1897-1958) was a celebrated librettist and screenwriter. The brother and sister team of Herbert and Dorothy Fields was part of a vibrant New York theatrical family that also included their brother, Joseph, a prolific librettist and playwright, and their father ...

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B.G. DeSylva

B.G. DeSylva (1895-1950) was a composer, author and publisher, born in New York, NY, January 27, 1895, and died in Los Angeles, CA, July 11, 1950. Education: University of Southern California. DeSylva wrote songs for several Broadway musicals, including Ziegfeld Follies (1918 ...

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