Show Boat (Goodspeed Version)

A CONCORD THEATRICALS TITLE

Show Boat (Goodspeed Version)

Full-Length Musical, Drama  /  5w, 4m

Music by Jerome Kern
Book and Lyrics by Oscar Hammerstein II

Based on the novel Show Boat by Edna Ferber
Adapted by Rob Ruggiero

This classic musical, centered around the Hawkes family, follows forty years in the lives of the people connected with a Mississippi River show boat. Its themes include racial prejudice and tragic, enduring love.

Image: 2006 Royal Albert Hall Production (Tristram Kenton)

Show Boat (Goodspeed Version)

  • Cast Size
    Cast Size
    5w, 4m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptation (Literature), Period, Docudrama/History
  • Audience
    Target Audience
    Appropriate for All Audiences, Adult

Details

Summary

Created for a Reduced Cast and Orchestra.

Spanning the years from 1880 to 1927, this lyrical masterpiece, centered around the Mississippi show boat Cotton Blossom, concerns the lives, loves and heartbreaks of three generations of show folk and their lifelong friends. Show Boat follows the story of the Hawkes family, including the captain’s naive daughter Magnolia, who wants to be a performer, as she marries a gambler and moves with him to Chicago. When his debts compound,he deserts her and their young daughter. Magnolia's selfless best friend Julie, a performer on the Cotton Blossom, faces arrest on charges of miscegenation, which is illegal, and she spirals into despair. The passing of time reunites Magnolia and hernow-grown daughter with Magnolia's estranged husband, who returns offering a second chance at familial happiness.

This version of Show Boat was originally produced by Goodspeed Musicals; Michael P. Price, Executive Director; adapted and directed by Rob Ruggiero.

History

Show Boat opened on Broadway at the Ziegfeld Theatre on December 27, 1927. The show was a great critical and popular success, running for a total of 572 performances. In 1936, Universal Studios released a film adaptation of the musical featuring Irene Dunne, Allan Jones, Hattie McDaniel and Paul Robeson. In 1951, MGM released a full-color film adaptation, using many of the songs from the stage adaptation but reworking much of the plot. After its initial run, Show Boat returned to Broadway no less than six times: in 1932 and 1946 at the Ziegfeld Theatre; in 1948 and 1954 at New York City Center; in 1983 at the Uris (Gershwin) Theatre featuring Donald O'Connor as Cap'n Andy; and in 1994, again at the Gershwin, under the direction of Harold Prince. Prince's 1994 production earned Show Boat its longest Broadway run with 947 performances. In 2011, a new version of Show Boat, adapted for a smaller cast and orchestra, opened at the Goodspeed Opera House in East Haddam, Connecticut, under the direction of Rob Ruggiero.

Writers' Notes

Edna Ferber:

As the writing of the musical play proceeded (and its ups and downs were even more heartbreaking than those of most musical plays) I heard bits and pieces of the score. Once or twice everything was seemingly abandoned because Ziegfeld said he couldn't produce the play. Almost a year went by. I had heard "Can't Help Lovin' Dat Man" with its love-bemused lyric... I had melted under the bewitching strains of "Make Believe" and of "Why Do I Love You?"... And then Jerome Kern appeared at my apartment late one afternoon with a strange look of quiet exultation in his eyes. He sat down at the piano. He didn't play the piano particularly well and his singing voice, though true, was negligible. He played and sang "Ol' Man River." The music mounted, mounted, and I give you my word my hair stood on end, the tears came to my eyes, I breathed like a heroine in a melodrama. This was great music. This was music that would outlast Jerome Kern's day and mine. I have never heard it since without that emotional surge. When Show Boat was revived at the Casino Theater in New York just four years after its original production at the Ziegfeld I saw a New York first-night audience, after Paul Robeson's singing of 'Ol' Man River,' shout and cheer and behave generally as I've never seen an audience behave in any theater in all my years of playgoing.

Alice Hammerstein Mathias:

For the 1946 revival of Show Boat, my father Oscar Hammerstein II inserted a note in the program giving P.G. Wodehouse full credit for the lyrics to “Bill.”  Wodehouse did write the original lyric, but my father contributed to the song as performed in Show Boat. In addition, as was customary in the 1920’s, the authors interpolated three ‘modern’ selections to the second act. They are John Philip Sousa’s “The Washington Post March,” Joseph E. Howard’s “Goodbye, My Lady Love,” and Charles K. Harris’ waltz “After the Ball.” All three have become part of the traditional score of Show Boat.

  • Time Period 1920s, 1910s/WWI, 1900-1910, 19th Century
  • Setting Along the Mississippi River and in Chicago. 1887–1927.
  • Features Period Costumes
  • Duration More than 120 minutes (2 hours)

Media

“Goodspeed Musical’s delicious revival…proves that you can revisit and rethink a classic in a way that honors the original.” — Jacques Lamarre, Broadway World

“SMALL BOAT, BIG SHOW!... Show Boat is a three-hour long extravaganza… That spells big bucks, and now that America’s financially beleaguered regional theater companies are increasingly turning to small-scale productions of surefire shows, revivals of Show Boat have become fewer and farther between… Now Goodspeed Musicals has triumphantly solved the Show Boat problem. Rob Ruggiero’s heart-lifting new revival succeeds in shoehorning Show Boat onto a very small stage without compromising its expansive spirit in any way… Mr. Ruggiero has skillfully trimmed the score and streamlined the book with an eye toward making Show Boat more practical to produce… [His version] deserves to be seen widely… I hope it will encourage other companies that long to perform America’s first great musical but are afraid of busting their budgets.” – Wall Street Journal

“This grand, glorious and smart production…captures the sweep of the themes while zeroing in on the story… Director Rob Ruggiero creates a production that is all of a piece, that has both sweep and intimacy and is nothing less than a minor miracle of staging.” – Hartford Courant

“It took the Goodspeed Opera House to prove it, but size doesn’t matter! That’s right, although it may be on a much smaller stage in a compact, jewel-box of a theater, but Goodspeed Musicals’ current adaptation…is a full-fledged sprawling revelation… Not for a minute does one feel shortchanged by this production, which makes subtle, generally unnoticeable cuts to the book and judiciously trims a few unremarkable songs and extended dance music from the overall score. Met with approval by the Hammerstein, Kern and Ferber estates, director Rob Ruggiero’s delightful, rewarding and ultimately moving production is more of an accommodation to the limitations of a smaller stage rather than an overall rethinking of the musical. In fact, this production will no doubt open doors to Show Boat being staged by theaters previously intimidated by the size and scope of the musical landmark… Ruggiero’s take [is] able to fit the richness of the score and epic scope of the plot into an economic model that can ensure the work’s preservation for years to come.” – Hartford Examiner

Videos

  • Highlights From "Show Boat" at Goodspeed Opera House youtube thumbnail

    Highlights From "Show Boat" at Goodspeed Opera House

Photos

  • Show Boat (Goodspeed Version)

    Image: 2006 Royal Albert Hall Production (Tristram Kenton)

  • Show Boat (Goodspeed Version)

    Image: 2006 Royal Albert Hall Production (Tristram Kenton)

Music

  • Musical Style Classic Broadway
  • Dance Requirements Difficult
  • Vocal DemandsModerate
  • Orchestra Size Medium
  • Chorus Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

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Authors

Oscar Hammerstein II

Oscar Hammerstein II

Oscar Hammerstein II was born on July 12, 1895 in New York City. His father, William, was a theatre manager and for many years director of Hammerstein's Victoria, the most popular vaudeville theatre of its day. His uncle, Arthur Hammerstein, was a successful Broadway producer ...

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Jerome Kern

Jerome Kern

Jerome Kern (1885-1945) composed his first complete show, The Red Petticoat, in 1912. Between 1915 and 1919, he composed a series of intimate chamber musicals, mostly in collaboration with Guy Bolton and P.G. Wodehouse, known as the Princess Theatre shows. These works — Very ...

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Edna Ferber

Edna Ferber

Edna Ferber (1887-1968) was an American novelist and playwright whose camera-like regional descriptions and vigorous portraiture of ordinary men and women made her one of the most popular authors of the early 20th century. Her first professional writing was done for newspaper ...

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Author

Rob Ruggiero

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