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A SAMUEL FRENCH, INC. TITLE
Full-Length Play, Dramatic Comedy / 4w, 2m, 2any gender (adult)
Julia Izumi
This playful, quirky, loose adaptation of The Little Mermaid, about a Little Rain Cloud who falls in love with a human, unpacks some personal history about Hans Christian Andersen.
RAIN CLOUD (pronounced like ) – No age, then 28 / A rain cloud, then a female humanBESSIE (pronounced like 🐄?) – Age unknown / A cow? A sea witch? A human? A dream?RALMOND (pronounced like “almond” with an R in front) – 28, then no age / A male human, then a rain cloudMIDI (pronounced like “mini” but with a D in the middle) – 29 / A female humanEDVARD (pronounced like “Edward” with a V in the middle) – Just Old Enough to Marry / A royal male humanINA (pronounced like “I? Nah.”) – Old Enough to Marry / A secretly royal female humanDOLAN (pronounced like “Dole Whip” except instead of “whip” you say “an”) – Timeless / Hans Christian AndersenLITTLE ONE (NOT pronounced like “mermaid”) Little / A female hero and storyteller
While all of the characters speak as the people in Hans Christian Andersen’s life, they do not look anything like them (or else Dolan would recognize them). This is a play about overturning old narratives and these characters live in fantastical realms removed from our realities, so think carefully about who populates your fantasy world today. If there are going to be mostly white people on this stage for your production, please pick a different play. It is particularly helpful for the narrative if Rain Cloud, Ralmond and Ina are played by actors of mixed race or international backgrounds. It is even more helpful if Rain Cloud is played by an actor of Indian descent. Bessie can be played by an actor of any gender – Bessie takes ownership of gender fluidity in a way that Hans Christian Andersen wanted to but could not. “Midi” is actually short for “Midori,” which is the Japanese word for green. Like the grass. So think about that when casting too...
Julia Izumi (she/her) is a writer and performer who makes plays, musicals and other theatrical nonsense.
Her work has been developed and presented at Manhattan Theatre Club, Clubbed Thumb, New Georges, Bushwick Starr, WP Theater, The COOP, Berkeley Rep’s Ground Floor, SPACE on ...
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