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A SAMUEL FRENCH, INC. TITLE
Full-Length Play, Drama / 1w, 1m
By Sarah RuhlBased on a correspondence with Max Ritvo
Image: 2023 Signature Theatre Company Production (Joan Marcus)
“Warm and literary... a theatrical act of remembrance and a sacrament of grief, but it’s also a comedy.” – The New York Times
“Intimate... a work about art and death and about how art deals with death.” – New York Stage Review
“Affecting... This epistolary play sends the message that a life cut short can call us to embrace our own lives and—as Max tells Sarah in a dream—to feel them swaying.” – Time Out NY
“Ruhl’s warm and literary new play adapted from the book, is in no way a pity narrative. It’s a theatrical act of remembrance and a sacrament of grief, but it’s also a comedy... go see the play, and feel their relationship alive and tingling.” – The New York Times
“Luminous... It is amazing how effortlessly these missives manage to capture their divergent personalities... there's a beautiful honesty to the whole thing... In creating this grief-stricken send-off, Ruhl gets to chat with her friend once more and keep his mind alive for all of us to appreciate — and we are all the better for it.” – TheaterMania
Sarah Ruhl’s plays include In the Next Room, or the vibrator play, The Clean House, Passion Play, Dead Man’s Cell Phone, Melancholy Play, For Peter Pan on her 70th Birthday, The Oldest Boy, Stage Kiss, Dear Elizabeth, Eurydice, How to Transcend a Happy Marriage, Orlando, Late ...
by Sarah Ruhl
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