A SAMUEL FRENCH, INC. TITLE

Death by Design

Full-Length Play, Comedy  /  4w, 4m

What happens when you mix the brilliant wit of Noël Coward with the intricate plotting of Agatha Christie? Set during a weekend in an English country manor in 1932, Death by Design is a hilarious, delightful and mysterious mash-up of two of the greatest English writers of all time.

  • Cast Size
    Cast Size
    4w, 4m
  • Duration
    Duration
    120 minutes (2 hours)
  • SubGenre
    Subgenre
    Farce, Adaptation (Literature), Mystery/Thriller
  • Suggested Use
    • Cutting Approved for Competition
  • Audience
    Target Audience
    Appropriate for All Audiences, Adult, Senior, Teen (Age 14-18)

Details

Summary

What happens when you mix the brilliant wit of Noël Coward with the intricate plotting of Agatha Christie? Set during a weekend in an English country manor in 1932, Death by Design is a hilarious, delightful and mysterious mash-up of two of the greatest English writers of all time. Edward Bennett, a playwright, and his wife, Sorel Bennett, an actress, flee London and head to Cookham after a disastrous opening night. But various guests arrive unexpectedly – a conservative politician, a fiery socialist, a nearsighted ingénue, a zany modern dancer – each with a long-held secret. When one of the guests is murdered, it’s left to Bridgit, the feisty Irish maid with a macabre interest in homicide, to solve the crime. Death by Design is more than homage – it’s a new classic. 

History
Death by Design made its world premiere at Houston Family Arts Center in Houston, Texas on September 9, 2011. Directed by Lisa Garza, the production featured Patrick Barton, Kathy Drum, Matt Elliott and Stephanie Morris.
BRIDGIT – The maid. Irish, crabby, warm-hearted. Fifties.
JACK – The chauffer. Cockney, charming, clever. Twenties.
EDWARD BENNETT – The playwright. Urbane, vain. Thirties/forties.
SOREL BENNETT – The actress. Glamorous, daffy. Thirties/forties.
WALTER PEARCE – The politician. Stiff, conservative. Thirties/forties.
ERIC – The radical. Emphatic, fiery. Twenties.
VICTORIA VAN ROTH – The Bohemian. Intense, artistic. Any age.
ALICE – The visitor. Sweet, shy. Twenties.
  • Time Period 1930s
  • Setting The living room of the Bennett’s house at Cookham. 1932.
  • Features Period Costumes
  • Additional Features Physical Comedy
  • Duration 120 minutes (2 hours)
  • Cautions
    • Gun Shots

Media

“A wonderful new comedy, peopled with vivid, fascinating characters!” – Houston Press

Death by Design is a wonderful new comedy, peopled with vivid, fascinating characters. It merges wit, sophistication and even pratfalls into a medley of humor and fun. Playwright Rob Urbinati must have had as much fun writing this comedy as the audience has in savoring it.” – Houston Press

“The play is called Death by Design, but don’t expect it to unlock the mystery to designing the perfect murder, unless the weapon of choice is laughter. Playwright Rob Urbinati has designed a recipe for fun that’s perfect for livening up the dead of winter: Combine one part murder, two parts mayhem, and season with a hearty dose of clever wit… Think Noël Coward meets Agatha Christie, and you’ll have some idea what to expect. Both served as inspiration for Death by Design. The result is a smart play, masquerading as an all-out farce. Death by Design is chock-full of puns, one-liners, off-the-wall references and keen jokes that one viewing alone could never fully glean all its comic gems.” – Maine Sunday Telegram

“I’m a big fan of Noël Coward, England’s greatest comic playwright of the 20th century. Death by Design is intentionally written in Coward’s style, complete with interesting, over-drawn characters, brilliant comic repartee and wonderfully incisive social commentary. Plus there’s the Agatha Christie element: a country estate full of mysterious guests and isolated by a snipped telephone wire. Death by Design is definitely a major must-see.” – The Forecaster

“These characters have some great lines to deliver, particularly (of course) playwright Edward, in whose mouth the snarky urbanities are like whiskeyed butter. Playwright Urbinati gives him and the others a fun array of verbal flourishes – rhymed character names are an ongoing gag – and the conversation takes some entertaining digs at theater itself, as well as the archetypes of the British class system. And oh, yes, the murder. Of course it's less a mortal emergency than a vehicle for everyone's lampoonery, especially once they've drained the brandy and moved on to gin.” – The Portland Phoenix

Music

  • Musical Style N/A (Not a musical)
  • Vocal DemandsN/A (Not a musical)
  • Chorus Size N/A (Not a musical)

Licensing & Materials

  • Minimum Fee: £55 per performance plus VAT when applicable.

Scripts

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Authors

Rob Urbinati

Rob Urbinati is a freelance playwright, screenwriter, book author and theater director based in New York City. He is also director of new play development at Queens Theatre.

Rob was born in Framingham, Massachusetts and currently resides in New York City. He received a BA from ...

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