Overview
In a Berlin nightclub, as the 1920s draw to a close, a garish Master of
Ceremonies welcomes the audience and assures them they will forget all
their troubles at the Cabaret. With the Emcee’s bawdy songs as wry
commentary, Cabaret explores the dark, heady and tumultuous
life of Berlin’s natives and expatriates as Germany slowly yields to the
emerging Third Reich. Cliff, a young American writer newly arrived in
Berlin, is immediately taken with English singer Sally Bowles.
Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally’s boarding
house, tentatively begins a romance with Herr Schultz, a mild-mannered
fruit seller who happens to be Jewish. Musical numbers include
“Willkommen,” “Cabaret,” “Don't Tell Mama” and “Two Ladies.”
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NOTE: Two Broadway versions of this show (1966 and 1987) are available for licensing. Though both follow the same story and share most songs, there are some differences in the script and score:
- Only the Original 1966 version includes “Why Should I Wake Up?” and “Meeskite.”
- Only this Revised 1987 version includes “Don’t Go,” “The Money Song” and “I Don’t Care Much.”
- The two versions differ in their treatment of the character of Cliff: In the Original 1966 version, there is no suggestion that he may be gay or bisexual. In this Revised 1987 version, his bisexuality is more strongly implied.
Both versions include “Willkommen,” “So What,” “Don’t Tell Mama,” “Perfectly Marvelous,” “Two Ladies,” “It Couldn’t Please Me More (The Pineapple Song),” “Tomorrow Belongs to Me,” “Married,” “If You Could See Her,” “The Telephone Song,” “Sitting Pretty” and “Cabaret.”