Once Upon a Mattress

Once Upon a Mattress

Once Upon a Mattress

Once Upon a Mattress

Once Upon a Mattress

Overview

Many moons ago in a far-off place, Queen Aggravain decreed no couples could marry until her son, Prince Dauntless, found a bride. Princesses came from far and wide to win the hand of the prince, but none could pass the impossible tests given to them by the Queen. That is, until the “shy” swamp princess, Winnifred the Woebegone, showed up. Would she be able to pass the Sensitivity Test, marry her prince and help Lady Larken and Sir Harry to the altar? Carried on a wave of wonderful songs, by turns hilarious and raucous, romantic and melodic, this rollicking spin on the classic tale The Princess and the Pea provides some side-splitting shenanigans. For after all, a princess is a delicate thing.

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Cautions

  • Caution Mild Adult Mild Adult Themes

Details

  • Genre: Fantasy, Adaptation (Literature)
  • Time Period: Medieval (6th-14th Century)
  • Cast Attributes: Strong Role for Leading Woman (Star Vehicle)
  • Target Audience: Appropriate for All Audiences, Adult, Teen (Age 14-18)

Authors

Mary Rodgers

Mary Rodgers (1931-2014). An accomplished author, screenwriter and composer, Mary Rodgers' earliest professional credits included serving as Assistant to the Producer of Leonard Bernstein's New York Philharmonic Young People's Concerts.

Her Broadway career began as composer of ...

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Jay Thompson

Jay Thompson (1927-2014) co-wrote the book for Once Upon A Mattress and wrote the book, music and lyrics for the opera The Bible Salesman, as well as the one-act musical The Oldest Trick in the World. He also wrote Pocketful of Wry, a musical revue. In addition to composing w ...

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Dean Fuller

Dean Fuller (1922-2017) was a composer, playwright, conductor, sailor, pilot, novelist and teacher. B.A. music and drama, Yale University. Alumnus Tamiment Playhouse, last of the Borscht Belt boot camps for revue writers, lyricists and composers. He co-wrote the book for Once ...

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Marshall Barer

Marshall Barer (1923-1998) could have been labeled eclectic, mercurial, peripatetic, or simply promiscuous, but it mattered not to him, who over the years mated his lyrics to the melodies of Michele Brourman, Hoagy Carmichael, Gordon Connell, J. Fred Coots, Vernon Duke, Duke ...
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